ShakespeareLongmans, Green, 1953 - 272 páginas |
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Página 97
... imagination reaches the furthest limits of the horrible in the ingenious and also , doubtless , the ingenuous . Tamburlaine harnesses vanquished kings to his chariot , Bajazet breaks his skull against the bars of his cage , the Jew of ...
... imagination reaches the furthest limits of the horrible in the ingenious and also , doubtless , the ingenuous . Tamburlaine harnesses vanquished kings to his chariot , Bajazet breaks his skull against the bars of his cage , the Jew of ...
Página 178
... imagination and dramatic movement precipitated by an intense emotion . Clearly Claudio is here using all his powers of persuasion , all the resources of imagination and eloquence . He wants to communi- cate to Isabella his own master ...
... imagination and dramatic movement precipitated by an intense emotion . Clearly Claudio is here using all his powers of persuasion , all the resources of imagination and eloquence . He wants to communi- cate to Isabella his own master ...
Página 262
... imagination that endows Antony with qualities which lift him above mankind and make him the equal of the gods . Adoration and grief pro- duce these extraordinary images which do not belong to the usual poetic vocabulary of eroticism but ...
... imagination that endows Antony with qualities which lift him above mankind and make him the equal of the gods . Adoration and grief pro- duce these extraordinary images which do not belong to the usual poetic vocabulary of eroticism but ...
Índice
PART TWO TECHNIQUE | 77 |
THE CHARACTERS | 129 |
PART THREE THE THEMES | 187 |
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Palavras e frases frequentes
action ambition Antony Antony and Cleopatra attitude beauty bethan blood characters classical Cleopatra comedy complete conventions Coriolanus Cressida crime critical death despair destiny disorder dramatist Duchess of Malfi effects emotion English evil experience expression faith fate fear feeling French ghosts give Hamlet hatred heart Henry hero honour human images imagination irony Jacobean King Lear L. C. Knights Lady Macbeth language logic lyrical Machiavelli madness Marlowe Marlowe's meaning Measure for Measure merely metaphor metaphysical mind moral murder nature night Othello passion personages pity play plot poet poetic poetry political Prince problem realism reality reason revenge rhetoric rhythm Richard Richard III romantic scene Seneca Shakespeare soul speech spirit stage style supreme symbolical T. S. Eliot takes Tamburlaine theatre themes thought Timon Timon of Athens tion tone tragedy tragic triumph Troilus Troilus and Cressida unity universe verse virtue whole Wilson Knight words