ShakespeareLongmans, Green, 1953 - 272 páginas |
No interior do livro
Resultados 1-3 de 60
Página 3
... language , and , if it is to be anything , is merely the aesthetic ex- pression of man's experience at some period of his existence . The hero speaks . He speaks with words : here is the great salutary truth which alone can get us out ...
... language , and , if it is to be anything , is merely the aesthetic ex- pression of man's experience at some period of his existence . The hero speaks . He speaks with words : here is the great salutary truth which alone can get us out ...
Página 151
... language and style . Yet everyone knows that Richard II and The Winter's Tale show all the difference of conception and treatment that exists between an imperfect work and one written fifteen years later by an ex- perienced artist . It ...
... language and style . Yet everyone knows that Richard II and The Winter's Tale show all the difference of conception and treatment that exists between an imperfect work and one written fifteen years later by an ex- perienced artist . It ...
Página 154
... language , then , like the construction and the characters , will not be in any way ' realistic ' : I mean , it will ... language of every day under pretext that it is familiar , racy or aggressive . The fact that it is , LANGUAGE OF ...
... language , then , like the construction and the characters , will not be in any way ' realistic ' : I mean , it will ... language of every day under pretext that it is familiar , racy or aggressive . The fact that it is , LANGUAGE OF ...
Índice
PART TWO TECHNIQUE | 77 |
THE CHARACTERS | 129 |
PART THREE THE THEMES | 187 |
1 outras secções não apresentadas
Palavras e frases frequentes
action ambition Antony Antony and Cleopatra attitude beauty bethan blood characters classical Cleopatra comedy complete conventions Coriolanus Cressida crime critical death despair destiny disorder dramatist Duchess of Malfi effects emotion English evil experience expression faith fate fear feeling French ghosts give Hamlet hatred heart Henry hero honour human images imagination irony Jacobean King Lear L. C. Knights Lady Macbeth language logic lyrical Machiavelli madness Marlowe Marlowe's meaning Measure for Measure merely metaphor metaphysical mind moral murder nature night Othello passion personages pity play plot poet poetic poetry political Prince problem realism reality reason revenge rhetoric rhythm Richard Richard III romantic scene Seneca Shakespeare soul speech spirit stage style supreme symbolical T. S. Eliot takes Tamburlaine theatre themes thought Timon Timon of Athens tion tone tragedy tragic triumph Troilus Troilus and Cressida unity universe verse virtue whole Wilson Knight words