ShakespeareLongmans, Green, 1953 - 272 páginas |
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Página 28
... laws . He hopes , then renounces ; summons , then rejects ; brags and trembles . It is truly a ' Tragicall Historie ' , not because it ends by the hero's death but because it is like the culmination of a long de- bate , broached over ...
... laws . He hopes , then renounces ; summons , then rejects ; brags and trembles . It is truly a ' Tragicall Historie ' , not because it ends by the hero's death but because it is like the culmination of a long de- bate , broached over ...
Página 87
... laws for Classical Tragedy . These men , indeed , addressed themselves to the per- formance of plays , not to the drawing - up of codes . In this as elsewhere , and always in England , experience backed up by gave the laws to technique ...
... laws for Classical Tragedy . These men , indeed , addressed themselves to the per- formance of plays , not to the drawing - up of codes . In this as elsewhere , and always in England , experience backed up by gave the laws to technique ...
Página 143
... laws , including the laws of character . The villain's personality , compelled by the game he is playing to adopt various and sometimes contradictory attitudes is aston- ishingly agile , incredibly versatile . So much so , that the ...
... laws , including the laws of character . The villain's personality , compelled by the game he is playing to adopt various and sometimes contradictory attitudes is aston- ishingly agile , incredibly versatile . So much so , that the ...
Índice
PART TWO TECHNIQUE | 77 |
THE CHARACTERS | 129 |
PART THREE THE THEMES | 187 |
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Palavras e frases frequentes
action ambition Antony Antony and Cleopatra attitude beauty bethan blood characters classical Cleopatra comedy complete conventions Coriolanus Cressida crime critical death despair destiny disorder dramatist Duchess of Malfi effects emotion English evil experience expression faith fate fear feeling French ghosts give Hamlet hatred heart Henry hero honour human images imagination irony Jacobean King Lear L. C. Knights Lady Macbeth language logic lyrical Machiavelli madness Marlowe Marlowe's meaning Measure for Measure merely metaphor metaphysical mind moral murder nature night Othello passion personages pity play plot poet poetic poetry political Prince problem realism reality reason revenge rhetoric rhythm Richard Richard II romantic scene Seneca Shakespeare soul speech spirit stage style supreme symbolical T. S. Eliot takes Tamburlaine theatre themes thought Timon Timon of Athens tion tone tragedy tragic triumph Troilus Troilus and Cressida unity universe verse virtue whole Wilson Knight words