ShakespeareLongmans, Green, 1953 - 272 páginas |
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Página 14
... poet ob- jected to the ' poetic diction ' of the Classical , or rather pseudo- Classical Age , he claimed to be substituting for it the poetic style nearest to prose . But this prose which he imagined to be so near to poetry or vice ...
... poet ob- jected to the ' poetic diction ' of the Classical , or rather pseudo- Classical Age , he claimed to be substituting for it the poetic style nearest to prose . But this prose which he imagined to be so near to poetry or vice ...
Página 15
... poetry more dead , more frozen , more like a world of darkened mirrors ? Spenser raised very high the prestige of verbal art ; he ennobled the poet's function , and gave it more splendour than it had ever had before . But he petrified ...
... poetry more dead , more frozen , more like a world of darkened mirrors ? Spenser raised very high the prestige of verbal art ; he ennobled the poet's function , and gave it more splendour than it had ever had before . But he petrified ...
Página 118
... poetic halo surrounding it , and the intimate coherence of composition and poetry takes on , according to circumstances , a different tonality . If Webster brushes aside objections about the logical linking of events , because the ...
... poetic halo surrounding it , and the intimate coherence of composition and poetry takes on , according to circumstances , a different tonality . If Webster brushes aside objections about the logical linking of events , because the ...
Índice
PART TWO TECHNIQUE | 77 |
THE CHARACTERS | 129 |
PART THREE THE THEMES | 187 |
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Palavras e frases frequentes
action ambition Antony Antony and Cleopatra attitude beauty bethan blood characters classical Cleopatra comedy complete conventions Coriolanus Cressida crime critical death despair destiny disorder dramatist Duchess of Malfi effects emotion English evil experience expression faith fate fear feeling French ghosts give Hamlet hatred heart Henry hero honour human images imagination irony Jacobean King Lear L. C. Knights Lady Macbeth language logic lyrical Machiavelli madness Marlowe Marlowe's meaning Measure for Measure merely metaphor metaphysical mind moral murder nature night Othello passion personages pity play plot poet poetic poetry political Prince problem realism reality reason revenge rhetoric rhythm Richard Richard III romantic scene Seneca Shakespeare soul speech spirit stage style supreme symbolical T. S. Eliot takes Tamburlaine theatre themes thought Timon Timon of Athens tion tone tragedy tragic triumph Troilus Troilus and Cressida unity universe verse virtue whole Wilson Knight words