ShakespeareLongmans, Green, 1953 - 272 páginas |
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Página 52
... reach and which alone can reach us . So the bombastic and brutal old Seneca , the vampire who sucked blood from the Greek tragic writers , borrowing their very scraps and making something SENECAN THEMES IN ELIZABETHAN TRAGEDY 53 ...
... reach and which alone can reach us . So the bombastic and brutal old Seneca , the vampire who sucked blood from the Greek tragic writers , borrowing their very scraps and making something SENECAN THEMES IN ELIZABETHAN TRAGEDY 53 ...
Página 104
... reach Ireland and Bolingbroke France , before we learn that both of them have returned to Eng- land - Bolingbroke first , so as to give him the advantage , and this takes place ( it is scarcely credible ) in the very scene where we ...
... reach Ireland and Bolingbroke France , before we learn that both of them have returned to Eng- land - Bolingbroke first , so as to give him the advantage , and this takes place ( it is scarcely credible ) in the very scene where we ...
Página 222
... reach a theoretical assess- ment would therefore be arbitrary . There is chronologically no compact group of ' dark plays ' except for Othello , Macbeth and King Lear , which all come round about 1606 . But the critic is not entitled ...
... reach a theoretical assess- ment would therefore be arbitrary . There is chronologically no compact group of ' dark plays ' except for Othello , Macbeth and King Lear , which all come round about 1606 . But the critic is not entitled ...
Índice
PART TWO TECHNIQUE | 77 |
THE CHARACTERS | 129 |
PART THREE THE THEMES | 187 |
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Palavras e frases frequentes
action ambition Antony Antony and Cleopatra attitude beauty bethan blood characters classical Cleopatra comedy complete conventions Coriolanus Cressida crime critical death despair destiny disorder dramatist Duchess of Malfi effects emotion English evil experience expression faith fate fear feeling French ghosts give Hamlet hatred heart Henry hero honour human images imagination irony Jacobean King Lear L. C. Knights Lady Macbeth language logic lyrical Machiavelli madness Marlowe Marlowe's meaning Measure for Measure merely metaphor metaphysical mind moral murder nature night Othello passion personages pity play plot poet poetic poetry political Prince problem realism reality reason revenge rhetoric rhythm Richard Richard III romantic scene Seneca Shakespeare soul speech spirit stage style supreme symbolical T. S. Eliot takes Tamburlaine theatre themes thought Timon Timon of Athens tion tone tragedy tragic triumph Troilus Troilus and Cressida unity universe verse virtue whole Wilson Knight words