ShakespeareLongmans, Green, 1953 - 272 páginas |
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Página 38
... seems to be virtue , and to follow it would be ruin ; and something else which seems to be vice , but ultimately security and prosperity come of it . " 2 Although these formulas have not the brutality of the famous Oderint dum metuant ...
... seems to be virtue , and to follow it would be ruin ; and something else which seems to be vice , but ultimately security and prosperity come of it . " 2 Although these formulas have not the brutality of the famous Oderint dum metuant ...
Página 116
... seem a useless prelude . This play of implication is met with everywhere , and tends to give Elizabethan tragedies ... seems to be broken on this brilliant , and at the same time tiresome , method of continually creating new focuses of ...
... seem a useless prelude . This play of implication is met with everywhere , and tends to give Elizabethan tragedies ... seems to be broken on this brilliant , and at the same time tiresome , method of continually creating new focuses of ...
Página 248
... seems in the end unreal . The very extravagance of evil , in its most hateful forms , exhausts the possibility of the reign of chaos . The personal tragedy of Lear and Cordelia , profoundly human though it still is , rises to the ...
... seems in the end unreal . The very extravagance of evil , in its most hateful forms , exhausts the possibility of the reign of chaos . The personal tragedy of Lear and Cordelia , profoundly human though it still is , rises to the ...
Índice
PART TWO TECHNIQUE | 77 |
THE CHARACTERS | 129 |
PART THREE THE THEMES | 187 |
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Palavras e frases frequentes
action ambition Antony Antony and Cleopatra attitude beauty bethan blood characters classical Cleopatra comedy complete conventions Coriolanus Cressida crime critical death despair destiny disorder dramatist Duchess of Malfi effects emotion English evil experience expression faith fate fear feeling French ghosts give Hamlet hatred heart Henry hero honour human images imagination irony Jacobean King Lear L. C. Knights Lady Macbeth language logic lyrical Machiavelli madness Marlowe Marlowe's meaning Measure for Measure merely metaphor metaphysical mind moral murder nature night Othello passion personages pity play plot poet poetic poetry political Prince problem realism reality reason revenge rhetoric rhythm Richard Richard III romantic scene Seneca Shakespeare soul speech spirit stage style supreme symbolical T. S. Eliot takes Tamburlaine theatre themes thought Timon Timon of Athens tion tone tragedy tragic triumph Troilus Troilus and Cressida unity universe verse virtue whole Wilson Knight words