ShakespeareLongmans, Green, 1953 - 272 páginas |
No interior do livro
Resultados 1-3 de 38
Página 151
... style , calling the reader's attention to the fact that the author is changing his attitude , his intention or his conception regarding his characters or the world they represent . Thus in Love's Labour's Lost there are several styles ...
... style , calling the reader's attention to the fact that the author is changing his attitude , his intention or his conception regarding his characters or the world they represent . Thus in Love's Labour's Lost there are several styles ...
Página 152
... style does not mean only the presence of a particular writer's characteristics by which he can be differentiated from all others ( the style of Sterne or of Saint Simon , for example ) . Nor is it merely that consummate art possessed by ...
... style does not mean only the presence of a particular writer's characteristics by which he can be differentiated from all others ( the style of Sterne or of Saint Simon , for example ) . Nor is it merely that consummate art possessed by ...
Página 159
... style ' . And here we find Seneca again , the cynosure of the Eliza- bethan generation , whose influence in forming this dramatic rhetoric was so great that T. S. Eliot has no hesitation in asserting that ' Not only the evolution of the ...
... style ' . And here we find Seneca again , the cynosure of the Eliza- bethan generation , whose influence in forming this dramatic rhetoric was so great that T. S. Eliot has no hesitation in asserting that ' Not only the evolution of the ...
Índice
PART TWO TECHNIQUE | 77 |
THE CHARACTERS | 129 |
PART THREE THE THEMES | 187 |
1 outras secções não apresentadas
Palavras e frases frequentes
action ambition Antony Antony and Cleopatra attitude beauty bethan blood characters classical Cleopatra comedy complete conventions Coriolanus Cressida crime critical death despair destiny disorder dramatist Duchess of Malfi effects emotion English evil experience expression faith fate fear feeling French ghosts give Hamlet hatred heart Henry hero honour human images imagination irony Jacobean King Lear L. C. Knights Lady Macbeth language logic lyrical Machiavelli madness Marlowe Marlowe's meaning Measure for Measure merely metaphor metaphysical mind moral murder nature night Othello passion personages pity play plot poet poetic poetry political Prince problem realism reality reason revenge rhetoric rhythm Richard Richard II romantic scene Seneca Shakespeare soul speech spirit stage style supreme symbolical T. S. Eliot takes Tamburlaine theatre themes thought Timon Timon of Athens tion tone tragedy tragic triumph Troilus Troilus and Cressida unity universe verse virtue whole Wilson Knight words