ShakespeareLongmans, Green, 1953 - 272 páginas |
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Página 59
... suffering , in those vague regions where human suffering and crime lose the colour of reality ; they become illusory and touch- ing but do not destroy our faith in the hero who is not respon- sible for what he suffers . The narrowest of ...
... suffering , in those vague regions where human suffering and crime lose the colour of reality ; they become illusory and touch- ing but do not destroy our faith in the hero who is not respon- sible for what he suffers . The narrowest of ...
Página 73
... suffering and emotion are co - eternal and suffering arouses neither revolt nor pity . Ford's personages move with superb mastery . The faith that animates them cannot be subdued by misfortune . They are doomed but make no boast of ...
... suffering and emotion are co - eternal and suffering arouses neither revolt nor pity . Ford's personages move with superb mastery . The faith that animates them cannot be subdued by misfortune . They are doomed but make no boast of ...
Página 227
... Suffering , then , increases his stature till he reaches a height never yet attained by any commoner as hero . Othello is not the head of a State ; his fall will not bring disorder upon the city . But the upheaval started by his ...
... Suffering , then , increases his stature till he reaches a height never yet attained by any commoner as hero . Othello is not the head of a State ; his fall will not bring disorder upon the city . But the upheaval started by his ...
Índice
PART TWO TECHNIQUE | 77 |
THE CHARACTERS | 129 |
PART THREE THE THEMES | 187 |
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Palavras e frases frequentes
action ambition Antony Antony and Cleopatra attitude beauty bethan blood characters classical Cleopatra comedy complete conventions Coriolanus Cressida crime critical death despair destiny disorder dramatist Duchess of Malfi effects emotion English evil experience expression faith fate fear feeling French ghosts give Hamlet hatred heart Henry hero honour human images imagination irony Jacobean King Lear L. C. Knights Lady Macbeth language logic lyrical Machiavelli madness Marlowe Marlowe's meaning Measure for Measure merely metaphor metaphysical mind moral murder nature night Othello passion personages pity play plot poet poetic poetry political Prince problem realism reality reason revenge rhetoric rhythm Richard Richard II romantic scene Seneca Shakespeare soul speech spirit stage style supreme symbolical T. S. Eliot takes Tamburlaine theatre themes thought Timon Timon of Athens tion tone tragedy tragic triumph Troilus Troilus and Cressida unity universe verse virtue whole Wilson Knight words