ShakespeareLongmans, Green, 1953 - 272 páginas |
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Página ix
... tion to the uncertain logic of attractive theories . I have neither the scholar's competence , nor the historian's ambition , nor a taste for ' sensational discoveries ' . Shakespeare the man and his mystery for too long have been ...
... tion to the uncertain logic of attractive theories . I have neither the scholar's competence , nor the historian's ambition , nor a taste for ' sensational discoveries ' . Shakespeare the man and his mystery for too long have been ...
Página 96
... tion . The pantomime properly so - called , or ' Show ' , is also in- cluded in the drama , not merely to entertain the eye but to avoid the narration of some event that helps the plot forward ; it thus allows of striking short cuts ...
... tion . The pantomime properly so - called , or ' Show ' , is also in- cluded in the drama , not merely to entertain the eye but to avoid the narration of some event that helps the plot forward ; it thus allows of striking short cuts ...
Página 108
... tion and must be regarded as such , but a pliable , supple conven- tion which the dramatist breaks - in to do every kind of service ; 1 Hamlet , III , i , 83-8 . 2 See , among many other possible examples , the Prologue to Henry V : For ...
... tion and must be regarded as such , but a pliable , supple conven- tion which the dramatist breaks - in to do every kind of service ; 1 Hamlet , III , i , 83-8 . 2 See , among many other possible examples , the Prologue to Henry V : For ...
Índice
PART TWO TECHNIQUE | 77 |
THE CHARACTERS | 129 |
PART THREE THE THEMES | 187 |
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Palavras e frases frequentes
action ambition Antony Antony and Cleopatra attitude beauty bethan blood characters classical Cleopatra comedy complete conventions Coriolanus Cressida crime critical death despair destiny disorder dramatist Duchess of Malfi effects emotion English evil experience expression faith fate fear feeling French ghosts give Hamlet hatred heart Henry hero honour human images imagination irony Jacobean King Lear L. C. Knights Lady Macbeth language logic lyrical Machiavelli madness Marlowe Marlowe's meaning Measure for Measure merely metaphor metaphysical mind moral murder nature night Othello passion personages pity play plot poet poetic poetry political Prince problem realism reality reason revenge rhetoric rhythm Richard Richard III romantic scene Seneca Shakespeare soul speech spirit stage style supreme symbolical T. S. Eliot takes Tamburlaine theatre themes thought Timon Timon of Athens tion tone tragedy tragic triumph Troilus Troilus and Cressida unity universe verse virtue whole Wilson Knight words