Charles Laughton: An Intimate BiographyDoubleday, 1976 - 239 páginas |
No interior do livro
Resultados 1-3 de 57
Página 16
... once belonged to Karl Marx . The flat was back to back with another rented by Kenneth Grahame , author of The Wind in the Willows , with whom they had a waving acquaintance . After A Man with Red Hair closed , Charles opened immedi ...
... once belonged to Karl Marx . The flat was back to back with another rented by Kenneth Grahame , author of The Wind in the Willows , with whom they had a waving acquaintance . After A Man with Red Hair closed , Charles opened immedi ...
Página 121
... once when he began work on the picture . Charles was pleased to learn that Renoir wanted Maureen O'Hara to play the part of the young schoolteacher who , at the end , takes over Albert's role in guiding children against German invaders ...
... once when he began work on the picture . Charles was pleased to learn that Renoir wanted Maureen O'Hara to play the part of the young schoolteacher who , at the end , takes over Albert's role in guiding children against German invaders ...
Página 165
... once the meaning of Shaw's reference to Gower Street : Shaw was talking about Charles's performance as Professor Higgins in Pygmalion at RADA . He told Shaw in his reply that Shaw would not receive royalties until the following February ...
... once the meaning of Shaw's reference to Gower Street : Shaw was talking about Charles's performance as Professor Higgins in Pygmalion at RADA . He told Shaw in his reply that Shaw would not receive royalties until the following February ...
Outras edições - Ver tudo
Palavras e frases frequentes
accepted acting actor admired American appeared asked audience beauty became become began body Brecht brought called Carole Lombard cast character Charles Charles's close continued decided deeply despite directed director discussing dressed early Elsa England enjoyed entire eyes face fact famous feeling felt film finally force gave give Gregory hand head Henry Hollywood Hotel human John kind knew Korda later Laughton Lear lines living London look managed moved needed never night offered once opened paintings Paul performance picture play prepared production reading rehearsals returned Robert role scene script seen sequence Shaw shooting speech spirit stage standing star story success suggested talking theatre told took tour turned voice walk wanted weeks wife wrote York young