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ἴσον ἅτ ̓ ἐν νεφέλαισιν ἄσ-
τρων ναύταις ἀριθμὸς πέλει.
νῦν δ ̓ οὐδεὶς ὅρος ἐκ θεῶν
χρηστοῖς οὐδὲ κακοῖς σαφὴς,
ἀλλ ̓ εἰλισσόμενός τις απ
ὢν πλοῦτον μόνον αὔξει.

Οὐ παύσομαι τὰς Χάριτας
Μούσαις ξυγκαταμιγνύς,
ἀδίσταν ξυζυγίαν
μὴ ζῴην μετ' ἀμουσίας,6
ἀεὶ δ ̓ ἐν στεφάνοισιν εἴην.
ἔτι τοι γέρων ἀοιδὸς
κελαδεί μνημοσύναν.

Hercules Furens 637-679.

MIHI est Juventus pondus amabile:
Mihi Senectus semper inhorret, ut
Etnea rupes, et tenebris
Occupat impositis ocellos.

Non si refertis plena opibus domus,
Regale donum contigerit mihi,
Non atria Eoi tyranni

Barbarico cumulata luxu

Mutem juventâ:-divitiis tamen
Pulchra est, egenis pulchrior in malis
Juventa: sed tristes Senectus

In maris atra abeat recessus!
Mortale nunquam debuerat Scelus,
Domos, Senecta, aut oppida visere-
Libramini' virtutis æquo

Mens fuerat sapientis ævi
Cœleste signum. Nos (animo licet
Pendere) morum participes viri
Forsan tulissemus, beati

Muneribus, duplicem juventam,

Nec nos iniquis sola comes malis
Jussisset atras visere regias,

Sed sola signasset nefandos
Degeneres Libitina fato!

Ald. στάδιον Reisk. cujus nomen bis omittit Beckius.—5. Τωδὶ τοὺς—Ald. Emen davit Porsonus ad Med. 157.6. ἢ et εὐμουσίας Ald. μὴ ἀμ. Stobæus.]

• Vide Class. Journ. No. XXII. p, 352, 1. 12.

Discrimini esset moribus hoc bonis,
Ut certa fulgent sidera navitis.-
Volvenda nunc demonstrat ætas
Dona, supervacuosque luxus.
Sors molliori compede vinciat
Mixtum Camoenis, me quoque Gratiis,
Festisque versatum choreis:

Degere nec cithara carentem
Me sera cogant fata: senex adhuc
Exacta vates gaudia concinit;
Vitamque percurrens priorem
In memores juvenescit annos.

R. TREVELYAN, A. M.

ON THE ANCIENT DIVISION OF THE

UNIVERSE.

THERE is a mode of expression, very common among Classical authors, which I think has not been sufficiently noticed. When they spoke of the composition of bodies known to them, they considered them as containing Four Elements. This is well known, and continued in use till it was discovered that most, if not all, of those four elements are compounds. But when they spoke generally of the Universe, with reference rather to its grand divisions, than its component parts, they made but three divisions, Heaven, Earth, and Sea. These they called the tria corpora into which the whole is divided. Lucretius is clear upon the subject, in that magnificent passage, announcing the general dissolution of the whole, which every lover of Classical poetry admires and remembers :

Principio, Maria, ac terras, cœlumque fuere :
Horum naturam triplicem, tria corpora, Memmi,
Tres species tam dissimiles, tria talia texta,
Una dies dabit exitio, multosque per annos
Sustentata, ruet moles ac machina mundi.

Lib. v. v. 93.

Ovid, who loved Lucretius, and often alluded to his words, has said of him, that his writings would not perish till that fatal day came :

Carmina sublimis tunc sunt peritura Lucretî,
Exitio terras cum dabit una dies.

Amor. i, 15, 23.

But the passage in his Fasti, where he more particularly

quotes Lucretius, on this subject, has never been understood, for want of recollecting this threefold division. All the Commentators, that I have seen, either leave it unexplained, or blun der about the elements, trying to account for his making them 3 instead of 4. Yet here he uses some of the most remarkable words of his predecessor, the tria corpora:

Post chaos, ut primum data sunt tria corpora mundo,
Inque novas species omne recessit opus.

Fusti, v. 11.

But if this was obscure, another passage of the same poet might explain it :

Explicat ut causas rapidi Lucretius ignis,
Casurumque triplex vaticinatur opus.

Tristia, ii. 425.

The very same threefold division is made by Ovid in the opening of the Metamorphoses:

Ante mare, et tellus, et quod tegit omnia cœlum,
Unus erat toto naturæ vultus in orbe,
Quem dixere chaos.

Met. i.

What is that but a direct paraphrase of the Post chaos, &c. above cited? Nor is this all: in another place he gives it in a different form:

Prima fuit rerum confusa sine ordine moles,
Unaque erat facies, sidera, terra, fretum.

De Art. Am. ii. 467.

In the passage of the Fasti, Ovid also disposes of his three parts, according to their nature:

Pondere terra suo subsedit, et æquora traxit,

At cælum levitas in loca summa tulit.

Fasti, v. 13.

The elegy to Livia, which some have ascribed to Pedo Albinovanus, but others, with more probability, to Ovid himself, speaks almost in the same words as Ovid:

Tendimus huc omnes, metam properamus ad unam,
Omnia sub leges mors vocat atra suas.
Ecce necem intentam calo, terræque, fretoque,
Casurumque triplex vaticinatur opus.

v. 361.

Virgil makes the same distribution of things:
Aspice convexo nutantem pondere mundum,
Terrasque, tractusque maris, cælumque profundum.

Ecl. iv. v. 50.

Again, when he speaks of the violence of the winds, he says that, if Æolus did not restrain them, they would carry the universe before them.

Ni faciat, maria, ac terras, cœlumque profundum
Quippe ferant rapidi secum, verrantque per auras.

En. i. 58.

The same partition is employed by the author of the poem on Etna, now attributed to Lucilius Junior, but formerly to Cornelius Severus :

Diviso corpore mundi,

In maria, ac terras, ac sidera. v. 100.

Hence the common exclamation of "O cœlum, O terra, O maria Neptuni," as given to Demea in Ter. Adelph. v. 3. implies calling the whole universe to witness. Manilius, speaking of the governing mind of the universe, says:

Namque canam tacita naturam mente potentem
Infusumque deum cælo, terrisque, fretoque,
Ingentem æquali moderantem fœdere molem.

L. ii. 59.

Prudentius, a very late poet, has retained the same idea :

Terra, cœlum, fossa Ponti, trina rerum machina.

De mirac. Christi.

Nor are we without authority from the Greeks. Aristophanes, when he describes the universe as arising from the operation of love, says,

Πρότερον δ ̓ οὐκ ἦν γένος ἀθανάτων, πρὶν"Ερως ξυνέμιξεν ἅπαντα, Συμμιγνυμένων δ ̓ ἑτέρων ἑτέροις, γένετ' οὐρανὸς, ὠκεανός τε, Καὶ γῆ, πάντων τε Θεῶν μακάρων γένος ἄφθιτον.

Aves, v. 701. That the illustration of this fact might be carried much further, I have not any doubt, but I have sent you what has occurred in my own reading, which seems to be amply sufficient to establish the usage which I have here remarked, and to prevent the future misinterpretation of some very poetical and luminous passages.

NOTICE OF

R. NARES.

CONSIDERATIONS on the NATURE and TENDENCY of CLASSICAL LITERATURE, with remarks on the discipline at present pursued in the free Grammar school of King Charles II. at Bradford in the County of York. By the Rev. Samuel Slack, M.A. Headmaster of the School, late Chaplain of Christ Church, Oxford.

OUR readers, who are interested in the cause of liberal education, are acquainted with the able pamphlets lately published on the subject by Dr. Knox, and Dr. Butler of Shrewsbury.

This is a practical treatise on the same subject, the author of
which is suffering from the illiberality of those, who misinterpret
the literary foundations of Edward VI. We strongly recom-
mend these strongly felt and elegantly written Considerations to
the notice of the Scholar and the advocate for liberal education.
In works of learning we deprecate allusions to party politics.
The Epea Pterventa lost much of its claim to universal admi-
ration by the fondness of the learned writer for the introduction
of his political opinions; and we should have been better
pleased with the able writer of the present work, had he not
thrust upon his readers a labored panegyric on a late Minister;
for perhaps they will not all feel the "store of blessings, which
he has procured to his country." Literature should soar above
all party considerations.

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