operations; and those whose abilities or knowledge incline them most to deviate from the general round of life, are recalled from eccentricity by the laws of their existence. If we consider the exercises of the mind, it will be found that in each part of life some particular faculty is more eminently employed. When the treasures of knowledge are first opened before us, while novelty blooms alike on either hand, and every :thing equally unknown and unexamined seems of equal value, the power of the soul is principally exerted in a vivacious and desultory curiosity. She. applies by turns to every object, enjoys it for a short time, and flies with equal ardour to another. She delights to catch up loose and unconnected ideas, but starts away from systems and complications, which would obstruct the rapidity of her transitions, and detain her long in the same pursuit. When a number of distinct images are collected by these erratick and hasty surveys, the fancy is busied in arranging them; and combines them into pleasing pictures with more resemblance to the realities of life as experience advances, and new observations rectify the former. While the judgment is yet uninformed, and unable to compare the draughts of fiction with their originals, we are delighted with improbable adventures, impracticable virtues, and inimitable characters: But, in proportion as we have more opportunities of acquainting ourselves with living nature, we are sooner disgusted with copies in which there appears no resemblance. We first discard absurdity and impossibility, then exact greater 66 and greater degrees of probability, but at last become cold and insensible to the charms of falsehood, however specious, and, from the imitations of truth, which are never perfect, transfer our affection to truth itself. Now commences the reign of judgment or reason; we begin to find little pleasure but in comparing arguments, stating propositions, disentangling perplexities, clearing ambiguities, and deducing consequences. The painted vales of imagination are deserted, and our intellectual activity is exercised in winding through the labyrinths of fallacy, and toiling with firm and cautious steps up the narrow tracks of demonstration. Whatever may lull vigilance, or mislead attention, is contemptuously rejected, and every disguise in which errour may be concealed, is carefully observed, till, by degrees, a certain number of incontestable or unsuspected propositions are established, and at last concatenated into arguments, or compacted into systems. At length weariness succeeds to labour, and the mind lies at ease in the contemplation of her own attainments, without any desire of new conquests or excursions. This is the age of recollection and narrative; the opinions are settled, and the avenues of apprehension shut against any new intelligence; the days that are to follow must pass in the inculcation of precepts already collected, and assertion of tenets already received; nothing is henceforward so odious as opposition, so insolent as doubt, or so dangerous as novelty. In like manner the passions usurp the separate command of the successive periods of life. To the happiness of our first years nothing more seems necessary than freedom from restraint: Every man may remember that if he was left to himself, and indulged in the disposal of his own time, he was once content without the superaddition of any actual pleasure. The new world is itself a banquet; and, till we have exhausted the freshness of life, we have always about us sufficient gratifications: the sunshine quickens us to play, and the shade invites us to sleep. But we soon become unsatisfied with negative felicity, and are solicited by our senses and appetites to more powerful delights, as the taste of him who has satisfied his hunger must be excited by artificial stimulations. The simplicity of natural amusement is now past, and art and contrivance must improve our pleasures; but, in time, art, like nature, is exhausted, and the senses can no longer supply the cravings of the intellect. The attention is then transferred from pleasure to interest, in which pleasure is perhaps included, though diffused to a wider extent, and protracted through new gradations. Nothing now dances before the eyes but wealth and power, nor rings in the ear, but the voice of fame; wealth, to which, however variously denominated, every man at some time or other aspires; power, which all wish to obtain within their circle of action; and fame, which no man, however high or mean, however wise or ignorant, was yet able to despise. Now prudence and foresight exert their influence: No hour is devoted wholly to any present enjoyment, no act or purpose terminates in itself, but every motion is referred to some distant end; the accomplishment of one design begins another, and the ultimate wish is always pushed off to its former distance. At length fame is observed to be uncertain, and power to be dangerous; the man whose vigour and alacrity begin to forsake him, by degrees contracts his designs, remits his former multiplicity of pursuits, and extends no longer his regard to any other honour than the reputation of wealth, or any other influence than his power. Avarice is generally the last passion of those lives of which the first part has been squandered in pleasure, and the second devoted to ambition. He that sinks under the fatigue of getting wealth, lulls his age with the milder business of saving it. I have in this view of life considered men as actuated only by natural desires, and yielding to their own inclinations, without regard to superiour principles, by which the force of external agents may be counteracted, and the temporary prevalence of passions restrained. Nature will indeed always operate, human desires will be always ranging; but these motions, though very powerful, are not resistless; nature may be regulated, and desires governed; and, to contend with the predominance of successive passions, to be endangered first by one affection, and then by another, is the condition upon which we are to pass our time, the time of our preparation for that state which shall put an end to experiment, to disappointment, and to change. NUMB. 152. SATURDAY, August 31, 1751. Tristia mæstum Vultum verba decent, iratum plena minarum. Disastrous words can best disaster shew; HOR. ELPHINSTON. "IT was the wisdom," says Seneca, "of ancient times, to consider what is most useful as most illustrious." If this rule be applied to works of genius, scarcely any species of composition deserves more to be cultivated than the epistolary style, since none is of more various or frequent use through the whole subordination of human life. It has yet happened that, among the numerous writers which our nation has produced, equal, perhaps, always in force and genius, and of late in elegance and accuracy, to those of any other country, very few have endeavoured to distinguish themselves by the publication of letters, except such as were written in the discharge of publick trusts, and during the transaction of great affairs; which, though they afford precedents to the minister, and memorials to the historian, are of no use as examples of the familiar style, or models of private correspondence, If it be inquired by foreigners, how this deficiency has happened in the literature of a country, where all indulge themselves with so little danger in speaking and writing, may we not without either bigotry or arrogance inform them, that it must be |