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Shakespeariana: A Critical and Contemporary Review of Shakesperian ..., Volume 4
Visualização integral - 1887
Shakespeariana: A Critical and Contemporary Review of Shakesperian ..., Volume 5
Visualização integral - 1888
actors appears Bacon beauty better called character copy course criticism death doubt drama dress edition effect Elizabethan England English evidence expression eyes fact father feel flowers Folio give given Hamlet hand heart Henry idea illustrated important interest John Juliet King known Lady Lear least less lines living London look Lord Macbeth March matter means mind Miss nature never notes original passage passion performance play poet present printed probably published reason received reference remarks says scene seems sense Shake Shakespeare Shakespearian shillings Society speaks speech stage suggested theatre things Thomas thought tion tragedy true volume whole wife woman write written young
Página 290 - tis strange : And oftentimes, to win us to our harm, The instruments of darkness tell us truths : Win -us with honest trifles, to betray us In deepest consequence.
Página 246 - DUKE'S PALACE. [Enter DUKE, CURIO, LORDS; MUSICIANS attending.] DUKE. If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken and so die.— That strain again;— it had a dying fall; O, it came o'er my ear like the sweet south, That breathes upon a bank of violets, Stealing and giving odour.— Enough; no more; 'Tis not so sweet now as it was before.
Página 365 - How noble in reason! how infinite in faculties, in form and moving, how express and admirable in action, how like an angel in apprehension, how like a god ! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? man delights not me; no, nor woman neither, though, by your smiling, you seem to say so.
Página 89 - By the o'ergrowth of some complexion, Oft breaking down the pales and forts of reason, Or by some habit that too much o'er-leavens The form of plausive manners ; that these men, Carrying, I say, the stamp of one defect, Being nature's livery, or fortune's star, Their virtues else, be they as pure as grace, As infinite as man may undergo, Shall in the general censure take corruption From that particular fault : the dram of eale Doth all the noble substance of a doubt To his own scandal.
Página 251 - There, on the pendent boughs her coronet weeds Clambering to hang, an envious sliver broke; When down her weedy trophies and herself Fell in the weeping brook.
Página 512 - Had fed the feeling of their masters' thoughts, And every sweetness that inspir'd their hearts, Their minds, and muses on admired themes; If all the heavenly quintessence they still From their immortal flowers of poesy, Wherein, as in a mirror, we perceive The highest reaches of a human wit; If these had made one poem's period, And all combin'd in beauty's worthiness, Yet should there hover in their restless heads One thought, one grace, one wonder, at the least, Which into words no virtue can digest.
Página 415 - ... often madness hits on, which reason and sanity could not so prosperously be delivered of. I will leave him and suddenly contrive the means of meeting between him and my daughter. — My honourable lord, I will most humbly take my leave of you. Ham. You cannot, sir, take from me anything that I will more willingly part withal, — except my life, except my life, except my life.
Página 209 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well: had you such a loss as I, I could give better comfort than you do.
Página 24 - O Proserpina, For the flowers now, that, frighted, thou let'st fall From Dis's wagon ! daffodils, That come before the swallow dares, and take The winds of March with beauty ; violets, dim, But sweeter than the lids of Juno's eyes, Or Cytherea's breath...