Character as a Subversive Force in Shakespeare: The History and Roman PlaysFairleigh Dickinson University Press, 1991 - 220 páginas Shakespeare's history and Roman plays are usually discussed in terms of their political themes; their leading characters are imagined human beings who must be understood in motivational terms. Analyzing these characters with the aid of modern psychology (the theories of Karen Horney), this story attempts both to make sense of inconsistencies within the plays and the controversies they have produced. |
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Página 50
... self - effacing side has emerged and he is caught in a cross - fire of conflicting shoulds . He realizes that what he is afraid of is the conscientious side of himself , and he tries to cope with his fear by holding onto his code of ...
... self - effacing side has emerged and he is caught in a cross - fire of conflicting shoulds . He realizes that what he is afraid of is the conscientious side of himself , and he tries to cope with his fear by holding onto his code of ...
Página 102
... self - effacing side manifests itself most strongly , of course , in relation to his father's crime . Since his rectitude is of no avail in expiating his father's guilt , he turns to prayer , to submis- sion , and to acts of contrition ...
... self - effacing side manifests itself most strongly , of course , in relation to his father's crime . Since his rectitude is of no avail in expiating his father's guilt , he turns to prayer , to submis- sion , and to acts of contrition ...
Página 147
... self - effacing side that is susceptible to her manipula- tion . Some of his self - effacing traits are well described by Plutarch : " And furthermore , being given to love : that made him the more desired , and by that meanes he ...
... self - effacing side that is susceptible to her manipula- tion . Some of his self - effacing traits are well described by Plutarch : " And furthermore , being given to love : that made him the more desired , and by that meanes he ...
Índice
Acknowledgments | 9 |
Richard III | 25 |
Prince Hal | 71 |
Direitos de autor | |
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Character as a Subversive Force in Shakespeare: The History and Roman Plays Bernard J. Paris Pré-visualização limitada - 1991 |
Palavras e frases frequentes
Actium aggressive Antony and Cleopatra Antony's arrogant-vindictive Aufidius bargain with fate battle battle of Agincourt behavior believe Bolingbroke Brutus Brutus's Cassius Cassius's character structure characterization claims conscience Coriolanus Coriolanus's critics crown death defeat defenses despite dream E. M. Forster Falstaff father fear feel give glorified guilt Hal's Harfleur hath Henry Henry VI Henry's honor Horney Hotspur idealized image inner conflicts interpretation Julius Caesar Karen Horney kill last two acts live Macbeth mimesis mimetic characters mimetic portrait moral mother motives murder noble once patricians perfectionistic person play's plebeians praise present Prince Hal protagonists psychological realistic reality rejection relationship response restore his pride revenge rhetoric Richard Richard III Roman plays Rome says scene search for glory seems self-effacing side self-hate sense Shake Shakespeare Shakespeare's mimetic soliloquy speech suicide tells things thou threatens three acts throne tion understand vindication virtue Volsces Volumnia wants
Referências a este livro
Therapeutic Dimensions of Autobiography in Creative Writing Celia Hunt Pré-visualização limitada - 2000 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Pré-visualização limitada |