Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth CenturyReinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. |
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In a study of English - language elegies , Melissa Zeiger writes that , traditionally ,
the elegy has been considered a male genre . Male mourning was “ accredited "
and privileged , she writes , while women ' s mourning was dismissed as ...
As women poets have frequently been considered incapable of creating
personae ( see chapter 2 ) , so Rostopchina ' s critics often describe her poetry as
a " diary , " assuming that every time she uses the first person or even the third
person ...
Bykov : “ Her generation attributed too great a significance to her poetic activity ” (
“ Russkie zhenshchinypisatel ' nitsy , " 241 ) . 33 . As mentioned in the
introduction , in the 1960s Rostopchina was considered a forgotten poet . Starting
in the ...
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Social Conditions | 21 |
Literary Conventions | 38 |
Gender and Genre | 57 |
Direitos de autor | |
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Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth Century Diana Greene Pré-visualização limitada - 2004 |
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