Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth CenturyReinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. |
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In addition , while several of the canonical and noncanonical men wrote funerary
elegies on the death of poets and other famous men - never women - only two
women did so : Teplova on Pushkin ( “ Na smert A . S . Pushkina " [ On the death
...
As for Sacks ' theory of mourning , it is harder in Russian to make a case for an
oedipal struggle between the ( male ) mourner and a ( male ) personified death
over a ( female ) object of mourning . While in Germanic languages “ death " is ...
Stephanie Sandler considers Rostopchina ' s " Chernovaia kniga Pushkina " (
1838 ) to be a funerary elegy ( “ The Law , the Body , and the Book : Three Poems
on the Death of Pushkin , " Canadian - American Slavic Studies 23 , no .
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Índice
Social Conditions | 21 |
Literary Conventions | 38 |
Gender and Genre | 57 |
Direitos de autor | |
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Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth Century Diana Greene Pré-visualização limitada - 2004 |
Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth Century Diana Greene Visualização de excertos - 2004 |