I Peace, I say:- Come, sing; and you that will not, hold your tongues. Jaq. Thus it goes: If it do come to pass, An if he will come to Ami. Ami. What's that ducdàme? Jaq. 'Tis a Greek invocation, to call fools into a circle. I'll go sleep if I can; if I cannot, I'll rail against all the first-born of Egypt. Ami. And I'll go seek the duke; his banquet is prepar'd. [Exeunt severally. SCENE VI.-The same. Enter Orlando and Orl. Why, how now, Adam! no greater heart in thee? Live a little; comfort a little; cheer thyself a little: If this uncouth forest yield any thing savage, I will either be food for it, or bring it for food to thee. Thy conceit is nearer death than thy powers. For my sake, be comfortable; hold death a while at the arm's end: I will here be with to eat, I'll give thee leave to die: but if thou diest thee presently; and if I bring thee not something Well said! thou look'st cheerly: and I'll be with before I come, thou art a mocker of my labour. thee quickly.-Yet thou liest in the bleak air: Ami. My voice is ragged; I know, I cannot shalt not die for lack of a dinner, if there live any Come, I will bear thee to some shelter; and thou please you. Jaq. I do not desire you to please me, I do desire thing in this desert. Cheerly, good Adam! [Exe. you to sing: Come, more; another stanza; Call SCENE VII.-The same. A table set out. Enter you them stanzas? Duke senior, Amiens, Lords, and others. Ragged and rugged had formerly the same meaning. Duke S. If he, compact of jars, grow musical, We shall have shortly discord in the spheres:Go, seek him; tell him, I would speak with him. Enter Jaques. 1 Lord. He saves my labour by his own approach, (5) Disputatious. (4) Made up of discords. Duke S. Why, how now, monsieur! what a life That your poor friends must woo your company? Jaq. A fool, a fool!I met a fool i' the forest, Thus may we see, quoth he, how the world wags: A worthy fool! Motley's the only wear.' Jaq. O worthy fool!-One that hath been The cost of princes on unworthy shoulders? distress; Or else a rude despiser of good manners, Orl. You touch'd my vein at first; the thorny point Of bare distress hath ta'en from me the show And says, if ladies be but young, and fair, It is my only suit; In mangled forms:-O, that I were a fool! would'st do. Jaq. What, for a counter, would I do, but good? (1) The fool was anciently dressed in a partycoloured coat. Jaq. An you will not be answered with reason, I must die. Duke S. What would you have? Your gentle- More than your force move us to gentleness. Orl. Speak you so gently? Pardon me, I pray you: I thought that all things had been savage here; days; And have with holy bell been knoll'd to church; Orl. Then, but forbear your food a little while, comfort! (2) Finery. (3) Well brought up. 陽 f Duke S. Thou seest, we are not all alone un-[As you have whisper'd faithfully, you were; This wide and universal theatre Presents more woful pageants than the scene And then, the whining school-boy, with his satchel, Made to his mistress' eye-brow: Then, a soldier; Even in the cannon's mouth: And then, the justice; In fair round belly, with good capon lin'd, And let him feed. Orl. I thank you most for him. Blow, blow, thou winter wind, As man's ingratitude; Thy tooth is not so keen, Heigh, ho! sing, heigh, ho! unto the green holly: And as mine eye doth his effigies witness АСТ III. [Exe Enter Duke SCENE I-A room in the palace. But were I not the better part made mercy, Of my revenge, thou present: But look to it; Thy lands, and all things that thou dost call thine, Oli. O, that your highness knew my heart in this ' I never lov'd my brother in my life. Duke F. More villain thou.-Well, push him out of doors; And let my officers of such a nature [Exe. SCENE II.-The Forest. Enter Orlando, with a paper. Orl. Hang there, my verse, in witness of my love: And, thou, thrice-crowned queen of night, survey With thy chaste eye, from thy pale sphere above, Thy huntress' name, that my full life doth sway. O Rosalind! these trees shall be my books, And in their barks my thoughts i'll character; That every eye, which in this forest looks, Shall see thy virtue witness'd every where. Run, run, Orlando; carve, on every tree, The fair, the chaste, and unexpressive" she. [Exit. Enter Corin and Touchstone. Cor. And how like you this shepherd's life, master Touchstone? Touch. Truly, shepherd, in respect of itself, it Most friendship is feigning, most loving mere is a good life; but in respect that it is a shepherd's folly: Then, heigh, ho, the holly! This life is most jolly." II. Freeze, freeze, thou bitter sky, Heigh, ho! sing, heigh, ho! &c. life, it is naught. In respect that it is solitary, I like it very well; but in respect that it is private, it is a very vile life. Now in respect it is in the fields, it pleaseth me well; but in respect it is not in the court, it is tedious. As it is a spare life, look you, it fits my humour well; but as there is no more plenty in it, it goes much against my stomach. Hast thou any philosophy in thee, shepherd? Cor. No more, but that I know, the more one sickens, the worse at ease he is; and that he that wants money, means, and content, is without three good friends:-That the property of rain is to wet, and fire to burn: That good pasture makes fat Duke S. If that you were the good sir Row-sheep; and that a great cause of the night, is lack land's son, of the sun: That he, that hath learned no wit by (5) Seize by legal process. (6) Expeditiously. (7) Inexpressible. nature nor art, may complain of good breeding, or comes of a very dull kindred. Touch. Such a one is a natural philosopher.Wast ever in court, shepherd? Cor. No, truly. Touch. Then thou art damn'd. Cor. Nay, I hope, Touch. Truly, thou art damn'd; like an illroasted egg, all on one side. Cor. For not being at court? Your reason. Touch. Why, if thou never wast at court, thou never saw'st good manners; if thou never saw'st good manners, then thy manners must be wicked; and wickedness is sin, and sin is damnation: Thou art in a parlous state, shepherd. dinners, and suppers, and sleeping hours excepted. it is the right butter-woman's rank to market. Ros. Out, fool! Touch. For a taste: If a hart do lack a hind, They that reap, must sheaf and bind ; He that sweetest rose will find, Cor. Not a whit, Touchstone: those, that are Touch. Instance, briefly; come, instance. Cor. Why, we are still handling our ewes; and their fells, you know, are greasy. Ros. Peace, you dull fool; I found them on a tree. Ros. I'll graff it with you, and then I shall graft it with a medlar: then it will be the earliest fruit in the country: for you'll be rotten ere you be half ripe, and that's the right virtue of the medlar. Touch. You have said; but whether wisely or Touch. Why, do not your courtier's hands sweat? and is not the grease of a mutton as whole-no, let the forest judge. some as the sweat of a man? Shallow, shallow: A better instance, I say; come. Cor. Besides, our hands are hard. Touch. Your lips will feel them the sooner. Shallow, again: A more sounder instance, come. Cor. And they are often tarr'd over with the surgery of our sheep; And would you have us kiss tar? The courtier's hands are perfumed with civet. Touch. Most shallow man! Thou worms-meat, in respect of a good piece of flesh: Indeed!Learn of the wise, and perpend: Civet is of a r birth than tar; the very uncleanly flux of a Mend the instance, shepherd. Cor. You have too courtly a wit for me; I'll rest. Touch. Wilt thou rest damn'd? God help thee, shallow man! God make incision in thee! thou art raw. Cor. Sir, I am a true labourer; I earn that I eat, get that I wear; owe no man hate, envy no man's happiness; glad of other men's good, content with my harm: and the greatest of my pride 13, to see my ewes graze, and my lambs suck. Touch. That is another simple sin in you; to bring the ewes and the rams together, and to offer to get your living by the copulation of cattle: to be bawd to a bell-wether; and to betray a shelamb of a twelvemonth, to a crooked-pated, old, cuckoldly ram, out of all reasonable match. If thou be'st not damn'd for this, the devil himself will have no shepherds; I cannot see else how thou should'st 'scape. Cor. Here comes young master Ganymede, my new mistress's brother. Enter Celia, reading a paper. Ros. Peace! Here comes my sister, reading; stand aside. 'Twixt the sculs of friend and friend Teaching all that read, to know That one body should be fill'd Sad Lucretia's modesty. By heavenly synod was devis'd; To have the touches dearest priz'd. Ros. O most gentle Jupiter!-what tedious homily of love have you wearied your parishioners withal, and never cry'd, Have patience, good people! Cel. How now! back, friends;-Shepherd, go off a little:-Go with him, sirrah. Touch. Come, shepherd, let us make an honourable retreat; though not with bag and baggage, yet with scrip and scrippage. [Exe. Cor. and Touch. Cel. Didst thou hear these verses? Ros. O, yes, I heard them all, and more too; (5) Features. for some of them had in them more feet than the verses would bear. Cel. That's no matter; the feet might bear the verses. Ros. Ay, but the feet were lame, and could not bear themselves without the verse, and therefore stood lamely in the verse. Cel. There lay he, stretch'd along, like a wounded Cel. But didst thou hear, without wondering how thy name should be hang'd and carv'd upon knight. these trees? Ros. Though it be pity to see such a sight, it Ros. I was seven of the nine days out of the well becomes the ground. wonder, before you came; for look here what I Cel. Cry, holla! to thy tongue, I pr'ythee; it found on a palm-tree: I was never so be-rhymed curvets very unseasonably. He was furnish'd like since Pythagoras' time, that I was an Irish rat, hunter. which I can hardly remember. Cel. Trow you, who hath done this? Cel. And a chain, that you once wore, about his neck: Change you colour? Ros. Nay, but who is it? Cel. Is it possible? Ros. Nay, I pray thee now, with most petitionary vehemence, tell me who it is. Cel. O wonderful, wonderful, and most wonderful wonderful, and yet again wonderful, and after that out of all whooping!! Ros. Good my complexion! dost thou think, though I am caparison'd like a man, I have a doublet and hose in my disposition? One inch of delay more is a South-sea-off discovery. I pr'ythee, tell me, who is it? quickly, and speak apace: I would thou could'st stammer, that thou might'st pour this concealed man out of thy mouth, as wine comes out of a narrow-mouth'd bottle; either too much at once, or none at all. I pr'ythee, take the cork out of thy mouth, that I may drink thy tidings. Cel. So you may put a man in your belly. Ros. Is he of God's making? What manner of man? Is his head worth a hat, or his chin worth a beard? Cel. Nay, he hath but a little beard. a Ros. O ominous! he comes to kill my heart. Cel. I would sing my song without a burden: thou bring'st me out of tune. Ros. Do you not know I am a woman? when I think, I must speak. Sweet, say on. Enter Orlando and Jaques. Cel. You bring me out:-Soft! comes he not here? Ros. 'Tis he; slink by, and note him. [Celia and Rosalind retire. Jaq. I thank you for your company; but, good faith, I had as lief have been myself alone. I Orl. And so had I: but yet, for fashion's sake, thank you too for your society. Jaq. God be with you; let's meet as little as we can. Orl. I do desire we may be better strangers. Jaq. I pray you, mar no more trees with writing love-songs in their barks. Orl. I pray you, mar no more of my verses with reading them ill-favouredly. Jaq. Rosalind is your love's name? Jaq. I do not like her name. Orl. There was no thought of pleasing you, when she was christen'd. Jaq. What stature is she of? Orl. Just as high as my heart. Jaq. You are full of pretty answers: Have you not been acquainted with goldsmiths' wives, and conn'd them out of rings? Ros. Why, God will send more, if the man will be thankful: let me stay the growth of his beard, Orl. Not so; but I answer you right painted if thou delay me not the knowledge of his chin. cloth, from whence you have studied your quesCel. It is young Orlando; that tripp'd up the tions. wrestler's heels, and your heart, both in an instant. Ros. Nay, but the devil take mocking; speak sad brow, and true maid.2 Cel. I'faith, coz, 'tis he. Cel. Orlando. Ros. Alas the day! what shall I do with my doublet and hose?-What did he, when thou saw'st him? What said he? How look'd he? Wherein went he? What makes he here? Did he ask for me? Where remains he? How parted he with thee? and when shalt thou see him again? Answer me in one word. Cel. You must borrow me Garagantua's mouth first: 'tis a word too great for any mouth of this age's size: To say, ay, and no, to these particulars, is more than to answer in a catechism. Ros. But doth he know that I am in the forest, and in man's apparel? Looks he as freshly as he did the day he wrestled? Cel. It is as easy to count atomies,' as to resolve (1) Out of all measure. (2) Speak seriously and honestly. (3) How was he dressed? Jaq. You have a nimble wit; I think it was made of Atalanta's heels. Will you sit down with me? and we two will rail against our mistress the world, and all our misery. Orl. I will chide no breather in the world, but myself; against whom I know most faults. Jaq. The worst fault you have, is to be in love. Orl. 'Tis a fault I will not change for your best virtue. I am weary of you. Jaq. By my troth, I was seeking for a fool, when I found you. Orl. He is drown'd in the brook; look but in, and you shall see him. Jaq. There shall I see mine own figure. Orl. Which I take to be either a fool, or a cypher. Jaq. I'll tarry no longer with you: farewell. good signior love. Orl. I am glad of your departure; adieu, gooa monsieur melancholy. [Exit Jaques.-Celia and Rosalind come forward (4) The giant of Rabelais. (5) Motes. (6) An allusion to the moral sentences on oid tapestry hangings. |