Characters of Shakespeare's PlaysC. Templeman, 1838 - 345 páginas |
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Página xvii
... to caricature , that we may rather say many of his traits are almost too nice and delicate for the stage , that they can only be properly seized by a great actor and fully b understood by a very acute audience . Not only has PREFACE . xvii.
... to caricature , that we may rather say many of his traits are almost too nice and delicate for the stage , that they can only be properly seized by a great actor and fully b understood by a very acute audience . Not only has PREFACE . xvii.
Página 4
... stage , accounts for the want of prominence and theatrical dis- play in Shakspeare's female characters from the circumstance , that women in those days were not allowed to play the parts of women , which made it necessary to keep these ...
... stage , accounts for the want of prominence and theatrical dis- play in Shakspeare's female characters from the circumstance , that women in those days were not allowed to play the parts of women , which made it necessary to keep these ...
Página 20
... stage like an apparition . To have seen her in that character was an event in every one's life , not to be forgotten . The dramatic beauty of the character of Dun- can , which excites the respect and pity even of his murderers , has ...
... stage like an apparition . To have seen her in that character was an event in every one's life , not to be forgotten . The dramatic beauty of the character of Dun- can , which excites the respect and pity even of his murderers , has ...
Página 30
... but not on the heath at Foris , and as if they did not believe what they had seen . The Witches of MACBETH indeed are ridiculous on the modern stage , and we doubt if the Furies of Eschylus would be more respected 30 MACBETH .
... but not on the heath at Foris , and as if they did not believe what they had seen . The Witches of MACBETH indeed are ridiculous on the modern stage , and we doubt if the Furies of Eschylus would be more respected 30 MACBETH .
Página 31
... stage , and will in time perhaps destroy both tragedy and comedy . Filch's picking pockets in the Beggars ' Opera is not so good a jest as it used to be ; by the force of the police and of philosophy , Lillo's murders and the ghosts in ...
... stage , and will in time perhaps destroy both tragedy and comedy . Filch's picking pockets in the Beggars ' Opera is not so good a jest as it used to be ; by the force of the police and of philosophy , Lillo's murders and the ghosts in ...
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Palavras e frases frequentes
admirable affections Antony Apemantus appear Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances CLAUDIO comedy comic Cordelia Coriolanus critic CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic excited eyes Falstaff fancy fear feeling fool fortune genius give Gonerill grace grave Hamlet hath hear heart heaven Henry honour human Iago imagination Juliet king lady Lear live look lord lover Macbeth MALVOLIO manner Mark Antony mind moral nature never night noble Othello passages passion PERDITA person pity play pleasure poet poetry prince racter refined revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shak Shakspeare Shakspeare's sion SIR TOBY sleep soul speak speech spirit stage story sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth unto wife words Yorkshire Tragedy youth