Ben Jonson: To the First FolioCUP Archive, 08/09/1983 - 188 páginas This book offers a critical assessment of the career of one of the most formidable figures of English literature, the most influential poet and dramatist of the early seventeenth century. Richard Dutton focuses on the greatest landmark of Jonson's career, the 1616 folio collection of his works with which he crowned his growing reputation as a man of letters, collecting together the majority of his most enduring works - including Every Man in his Humour, Volpone, The Alchemist; the tragedies Sejanus and Catiline; and the major masques and poems. The book relates these works (and another masterpiece, Bartholomew Fair, which belongs to the same period) to Jonson's tempestuous life and times, touching on such issues as his involvement with the Gunpowder Plot, his frequent confrontations with the political authorities, his emergence as Poet Laureate at Court and his often touchy relations with fellow authors like Shakespeare and Donne. But the principal aim throughout is to offer detailed critical analyses of Jonson's major works showing how, for all that they are rooted in the concerns of his own age, they are far more accessible and relevant to modern readers than is often assumed. |
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Índice
The early plays | 23 |
the defence of virtue | 54 |
Jonsons Epigrams | 75 |
The masques and Epicoene | 93 |
manners arms | 108 |
state decipherers and politic picklocks | 133 |
Bartholomew Fair | 156 |
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Palavras e frases frequentes
able action Alchemist allowed allusions apparent appreciate attempts audience authority Bartholomew Fair become career Catiline challenge characters Cicero claim clear clearly comedy contemporary course Court critical death drama effect Epigrams essential example expect Face fact Fair figure finally folio give given grace hand human Humour important included Jonson judgement kind King Lady later least less live London look masques matter means merely moral nature never offer performance perhaps perspective piece play Plot poems poet poetry political positive possible praise proves question readers reason reflection respect Revels role Salisbury satire scene seems Sejanus sense Shakespeare significant simply stage Studies style Subtle success suggests things tion tragedy true truth turn understanding verse virtue Volpone whole writing written