Shakespeare, Man of the Theater: Proceedings of the Second Congress of the International Shakespeare Association, 1981University of Delaware Press, 1983 - 265 páginas This volume presents a sampling of the more than 250 papers presented at the Congress of the ISA held at Stratford-upon-Avon in August 1981. Most of the papers are concerned with Shakespeare as a writer for the theater. Other essays deal with Shakespeare as a literary, rather than theatrical, writer. Several of the offerings cover subjects usually neglected, and develop fresh insight into his work. |
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Página 19
... for instance , not knowing how The Merchant of Venice ends , and I am sure it is hard for us all to appreciate the effect that twist in plotting must have had on its first audience . My feeling for Shakespeare and a Playwright of Today 19.
... for instance , not knowing how The Merchant of Venice ends , and I am sure it is hard for us all to appreciate the effect that twist in plotting must have had on its first audience . My feeling for Shakespeare and a Playwright of Today 19.
Página 24
... effects , visual excitement , and beautiful pictures . Shakespeare was in a better position because the beautiful pictures could only be provided by his words . Every working dramatist has learned that the most enjoyable perform- ances ...
... effects , visual excitement , and beautiful pictures . Shakespeare was in a better position because the beautiful pictures could only be provided by his words . Every working dramatist has learned that the most enjoyable perform- ances ...
Página 27
... effect by a cut within a scene . Duncan speaks of the treacherous Cawdor , on whom execution has been done : And then CUT TO There is no art To find the mind's construction in the face . He was a gentleman on whom I built An absolute ...
... effect by a cut within a scene . Duncan speaks of the treacherous Cawdor , on whom execution has been done : And then CUT TO There is no art To find the mind's construction in the face . He was a gentleman on whom I built An absolute ...
Página 30
... effect on the drama that she will help to produce . Or let us take lago . lago presented Professor Bradley with enormous problems . Was he possessed , as Coleridge had suggested , of " motiveless malignity " ? Critics , like lawyers ...
... effect on the drama that she will help to produce . Or let us take lago . lago presented Professor Bradley with enormous problems . Was he possessed , as Coleridge had suggested , of " motiveless malignity " ? Critics , like lawyers ...
Página 32
... effect . Yet this was the man who could also leave his family for many years to pursue , with ruthless ambi- tion , his career in London , who could be torn between a dark mistress and a fair friend , the one producing in him tormented ...
... effect . Yet this was the man who could also leave his family for many years to pursue , with ruthless ambi- tion , his career in London , who could be torn between a dark mistress and a fair friend , the one producing in him tormented ...
Índice
15 | |
18 | |
34 | |
Historic and Iconic Time in Late Tudor Drama | 47 |
The Word in the Theater | 55 |
The Players Will Tell All or the Actors Role in Renaissance Drama | 76 |
Iconography and the Theatrical Art of Pericles | 86 |
Some Shakespearean Night Sequences | 98 |
Shakespeare and jonson | 155 |
Beaumont and Fletchers Hamlet | 173 |
Society and the Uses of Authority in Shakespeare | 182 |
Seminar Papers | 201 |
The Stagecraft of the Statue Scene in The Winters Tale | 203 |
Shakespearean Comedy and Some EighteenthCentury Actresses | 212 |
Charles Keans King Lear and the Pageant of History | 231 |
APPENDIXES | 243 |
The Positive Uses of Negative Feedback in Criticism and Performance | 105 |
Some Approaches to Alls Well That Ends Well in Performance | 114 |
Between a sob and a Giggle | 121 |
Characterization through Language in the Early Plays of Shakespeare and His Contemporaries | 128 |
Shakespeare and Kyd | 148 |
Complete List of Lectures and Papers from the Program of the Congress | 245 |
Seminars and Their Chairmen | 247 |
Delegates and Participants | 248 |
Outras edições - Ver tudo
Palavras e frases frequentes
action actor actresses All's audience authority Bartholomew Fair breeches roles Cambridge characterization characters Cibber Clive College comic court critical Cymbeline death dramatic dramatist Elizabethan emblem Evadne experience fact female Garrick ghost Hamlet Hannah Pritchard Helena Henry Hermione iconic imagery imagination John Jonson Julius Caesar Kean Kean's King Lear Lady language Lear's Leontes lines literary London Lyly Macbeth Maid's Tragedy Marina masque murder Othello Oxford Paris passion Paulina performance Pericles play's playwright political Pritchard production Proteus reality Renaissance revenge Richard role Roman Royal Shakespeare Royal Shakespeare Company scene seems sense sequence Shake Shakespeare Association Shakespeare Institute Shakespeare Society Shakespeare's plays Shakespearean comedy Shrew social Society of Japan soliloquy Spanish Tragedy speak speare spectator speech Stratford-upon-Avon suggest theater theatrical things thou tion tradition Twelfth Night University of California University Press verbal visual wife Winter's Tale Woffington women words York
Passagens conhecidas
Página 15 - gainst that season comes Wherein our Saviour's birth is celebrated, The bird of dawning singeth all night long...
Página 21 - Yes, trust them not ! for there is an upstart crow, beautified with our feathers, that with his " Tiger's heart wrapped in a player's hide," supposes he is as well able to bombast out a blank verse as the best of you ; and, being an absolute Johannes Factotum, is, in his own conceit, the only Shake-scene in a country.
Página 59 - Helicanus, strike me, honour'd sir ; Give me a gash, put me to present pain ; Lest this great sea of joys rushing upon me, O'erbear the shores of my mortality, And drown me with their sweetness.
Página 64 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come ; the readiness is all ; since no man has aught of what he leaves, what is't to leave betimes?
Página 220 - I will be master of what is mine own : She is my goods, my chattels ; she is my house, My household stuff, my field, my barn, My horse, my ox, my ass, my any thing...
Página 66 - I'll never Be such a gosling to obey instinct, but stand, As if a man were author of himself, And knew no other kin.
Página 221 - Mrs. Clive in the sprightliness of humour, I have never seen equalled. What Clive did best, she did better than Garrick ; but could not do half so many things well: she was a better romp than any I ever saw in nature.
Página 197 - A man may see how this world goes with no eyes. Look with thine ears: see how yond justice rails upon yond simple thief. Hark, in thine ear: change places; and, handy-dandy, which is the justice, which is the thief ? Thou hast seen a farmer's dog bark at a beggar? Glo. Ay, sir. Lear. And the creature run from the cur? There thou mightst behold the great image of authority; a dog's obey'd in office.
Página 103 - This story shall the good man teach his son ; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered...
Página 126 - Were such things here as we do speak about? Or have we eaten on the insane root That takes the reason prisoner?