At Charing-Cross, hard by the way And there did I see, coming down, Such folks as are not in our town, Forty at least in pairs. Amongst the rest, one pest'lent fine Our landlord looks like nothing to him; At Course-a-park, without all doubt, Or Vincent of the Crown. THE BRIDE. Her finger was so small, the ring And to say truth (for out it must) It look'd like the great collar (just) About our young colt's neck. Her feet beneath her petticoat, Like little mice, stole in and out, As if they fear'd the light; But oh! she dances such a way! No sun upon an Easter day Is half so fine a sight. (1) With the lip described in this stanza all the world has been in love. I used to think that the accent on the first syllable of "July" was a pleasant exercise of will on the writer's part, in order to force a rhyme with "newly;" but on turning to the dictionary I find it is the proper one. I suppose we have got the habit of calling it July, from a wish to make the distinction the greater between it and June. I beg pardon of the "lip" for turning from it to this dry bit of criticism. It is impossible to quit the subject without turning again, to give it another glance. BROME. BORN, ?-DIED, 1652. I KNOW nothing of Richard Brome, except that he once acted in some kind of capacity of "servant" to Ben Jonson; that he wrote a number of comedies, which succeeded; and that one of them, the Jovial Crew, or Merry Beggars, was in possession of the stage not long ago. The following laughable fancy is extracted by Charles Lamb into his "Dramatic Specimens." If Brome wrote many such, he deserves to be better known. The second childhood of the old gentlemen is very ludicrous, especially of the restive one, who tells his young director that he is none of his father." There was another Brome, Alexander, a jovial attorney and loyalist during the Civil Wars, whose bacchanalian vein is said to have done good service to his cause. I have looked through his volume, but can find little in it except noise and smartness; though there is a tone of sincerity that does him honour. There is nothing so ready to take the will for the deed in matters of wit and song, as conviviality and good-fellowship; and very pardonable is the mistake; though the printed consequences are too apt to resemble the dulness "next morning." OLD MEN GOING TO SCHOOL. Scene from the comedy of the Antipodes, in which the "world is turned upside down," servants ruling their masters, children sending their parents to school, &c. SON, SERVANT, GENTLEMAN, and LADY, natives. ENGLISH TRAVELLER. Servant (to his young master). How well you saw Your father to school to-day, knowing how apt Enter three OLD MEN, with satchels. All three (singing). Domine, domine, duster; Three knaves in a cluster. Son. O this is gallant pastime! Nay, come on. Is this your school? was that your lesson, hay? 1st Old Man. Pray now, good son, indeed, indeedSon. You shall to school. Away with him; and take Their wagships with him, the whole cluster of 'em. 2nd Old Man. You sha'n't send us now, so you sha'n't3rd Old Man. We be none of your father, so we ben't. Indeed Son. Away with 'em, I say; and tell their school-mistress What truants they are, and bid her pay 'em soundly. All three. Oh, oh, oh! Lady. Alas! will nobody beg pardon for The poor old boys? English Traveller. Do men of such fair years Here go to school? Gentleman. They would die dunces else. These were great scholars in their youth; but when Threescore, their sons send them to school again; English Traveller. 'Tis a wise nation; and the piety Their liberty this day. Hold up your heads, and thank the gentleman All three. Gratias, gratias.† [Exeunt singing. * He means they are to scrape, and make a bow. † “Thanks, thanks.”—They say it in Latin, according to school custom, and to show their progress. |