Power to Hurt: The Virtues of AlienationUniversity of Illinois Press, 1998 - 243 páginas William Monroe addresses what William J. Bennett ignores in The Book of Virtues: How do readers use literature as "equipment for living"? Tackling modernism and postmodernism, Monroe outlines "virtue criticism," an alternative to current theory. Focusing on works by T. S. Eliot, Vladimir Nabokov, and Donald Barthelme, he demonstrates that these alienistic texts are not just filled with belligerence but are also endowed with virtues, such as trust and the promise of solidarity with the reader. By considering these vital texts as responses to personal situations and institutional practices, Monroe brings literature back to the common reader and shows how it offers functional responses to the dysfunctional situations of modern life. Readers interested in literary criticism, American culture, and the relationship between ethics and literature will be fascinated by virtue criticism and this fresh look at the virtues and vices of alienation. Chosen as a Choice Magazine's Outstanding Academic Book for 1999. |
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... concern for our concerns : he was the pelican who , as in the medieval bestiary , plucks its own breast so that its charges will find nourishment . Other faculty at the University of Texas who provided special assistance were John ...
... concern for our concerns : he was the pelican who , as in the medieval bestiary , plucks its own breast so that its charges will find nourishment . Other faculty at the University of Texas who provided special assistance were John ...
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... concerns , like the speaker's concerns in Shakespeare's sonnet , are not without foundation . For to praise alienation is to praise disconnection and detachment , to say , borrowing Emp- son's gloss , " It is wise to be cold . " Rising ...
... concerns , like the speaker's concerns in Shakespeare's sonnet , are not without foundation . For to praise alienation is to praise disconnection and detachment , to say , borrowing Emp- son's gloss , " It is wise to be cold . " Rising ...
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Índice
VIRTUE CRITICISM | 13 |
A Performance Paradigm 22 | 22 |
Reading Empathy Alienation 38 | 38 |
Virtue Criticism as Cultural Criticism 50 | 50 |
Necessary Troublemakers 61 | 61 |
Heavens Graces Gnostic Strategies 78 | 78 |
Sweetest Things Aesthetic Strategies 88 | 88 |
Natures Riches Parabolic Strategies 101 | 101 |
Reluctant Performers 119 | 119 |
Others but Stewards T S Eliots Gnostic Impulse 134 | 134 |
Lords and Owners Vladimir Nabokovs Sequestered Imagination 155 | 155 |
The Basest Weed Donald Barthelmes Parabolic Fairy Tale 176 | 176 |
LiliesThat Fester 195 | 195 |
NotKnowing 215 | 215 |
225 | |
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Palavras e frases frequentes
action aesthetic strategy aestheticism Alexandrov alienistic alienistic performances alienistic strategies alienistic writers Apocalypse Culture artist audience authenticity Barth Barthelme Barthelme's Beckett become Booth Burke's calls Cambridge character coductive common creative culture Donald Barthelme empathy enacted Essays ethical experience fiction flesh-and-blood function gnostic gnostic strategies Gradus human Ibid identification imagination Kenneth Burke Kermode Kinbote Kinbote's Krapp's Krapp's Last Tape language liminal Lionel Trilling literary Literature means mode modern motives myth narrative Nemoianu novel Otherworld Pale Fire parable Parfrey patterns performance paradigm Performances of alienation performative reading poem poet poetry political power to hurt practice Princeton R. P. Blackmur readers realm renunciation resistance rhetoric rhyme sense sexual Shade silence Snow White social stanza story strategies of alienation subversive suggests symbolic T. S. Eliot term theory tion transcendent Trilling University Press Upanishads violence virtue criticism Vladimir Nabokov Wadlington Walker Percy Waste Land words York Zweig
Passagens conhecidas
Página 1 - They that have power to hurt and will do none, That do not do the thing they most do show, Who, moving others, are themselves as stone. Unmoved, cold, and to temptation slow. They rightly do inherit heaven's graces And husband nature's riches from expense-, They are the lords and owners of their faces. Others but stewards of their excellence.
Página 1 - For sweetest things turn sourest by their deeds ; Lilies that fester smell far worse than weeds.