Writing & CultureBalz Engler Gunter Narr Verlag, 1992 - 253 páginas |
Índice
On the Ampersand | 9 |
H H Meier Amsterdam | 33 |
Françoise Le Saux Lausanne | 53 |
Margaret Bridges Geneva | 69 |
Neil Forsyth Lausanne | 85 |
John G Blair Geneva | 115 |
Paul Beekman Taylor Geneva | 133 |
Hartwig Isernhagen Basel | 151 |
Adam Piette Lausanne | 179 |
James A Boon Princeton | 197 |
James Boon Patrick Parrinder Janice Radway | 231 |
Notes on Contributors | 247 |
Palavras e frases frequentes
allusion Anaya Anglo Anglo-Saxon Anthropology authority Beckett become Boon Cambridge century cited classical colonial communication concern context critical cultural diglossia discourse essay European fiction forest giant gift Ill Seen Ill imagination Indians indigenous intercultural writing Jack Jack tales Kiowa land language linguistic literary literature London magic Marcel Mauss Margery Kempe Margery's Mauss medieval Melville Melville's Mercier and Camier Middle Ages miscegenation missionaries Moby-Dick modern Momaday Momaday's motif mountain myth narrative Native American notion Old English oral Oxford Papua New Guinea Patrick Parrinder perspective Pidgin poetic Poetry political powerlessness pragmatics reader relations ritual Roman sche scribe seems sense social spelling story Structure studies Suzanne Romaine tale theory Tok Pisin Tortuga tradition Trans translation tree Typee University of Geneva University Press Venus voice Western words written York Þat