The Poetic Birth: Milton's Poems of 1645Scolar Press, 1991 - 249 páginas This book offers a reading of most of the poems collected by Milton in his youth and early maturity for Humphrey Moseley's publication of "The Poems of Mr John Milton" in 1645. The edition is examined as a poetic and political manifesto, anticipating many of the ideas more fully discussed in "Paradise Lost". Dr Moseley examines the development of Milton's poetic calling, its origins, authority and national importance, and sets these ideas in their European context. Also explored is Milton's inheritance not only from Classical authors but also from the Italians and Spenser. Dr Moseley then draws attention to the significant structure of the 1645 volume and discusses the manner in which Milton presents material, which was originally written for one audience and context, to another set of readers who knew him as a highly active political figure and who were intended to read this book in the months after the battle of Naseby. A prose translation of all the Latin poems is included. |
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Página 13
... relation to Lycidas : here half the enjoyment for practitioner and audience is the ingenuity of the fitting of thought and expression to an arbitrary and rigid form : the summit of art is where what is extremely complex and artificial ...
... relation to Lycidas : here half the enjoyment for practitioner and audience is the ingenuity of the fitting of thought and expression to an arbitrary and rigid form : the summit of art is where what is extremely complex and artificial ...
Página 58
... relation , time , place , possession , posture , action and passion . ( For example : one cat , which is tabby and which is mine , this afternoon , in the study sat and purred as it was stroked . ) Now the point is implicit that ...
... relation , time , place , possession , posture , action and passion . ( For example : one cat , which is tabby and which is mine , this afternoon , in the study sat and purred as it was stroked . ) Now the point is implicit that ...
Página 201
... relationship of an audience to people they know acting a part , necessarily disappear in Poems ( 1645 ) . There can be no music , no scenery save what is built in the mind , and no relationship between an audience and characters who are ...
... relationship of an audience to people they know acting a part , necessarily disappear in Poems ( 1645 ) . There can be no music , no scenery save what is built in the mind , and no relationship between an audience and characters who are ...
Índice
The ceaseless round of study and reading | 20 |
3 | 28 |
and Orpheus | 54 |
Direitos de autor | |
8 outras secções não apresentadas
Palavras e frases frequentes
Aeneid ancient argument audience called Cambridge canzone century chastity Christ Christian Church Classical Comus contemporaries Damon Dante darkness death developed Diodati discussion divine earth echo Eclogue Elegy England English epic example Faerie Queene father glimpse Go home unfed God's gods Greek harmony heaven heavenly holy human hymn idea Il Penseroso important Italian John Milton Jove King L'Allegro Lady language Latin learned lines literary look Lycidas Mansus Marsilio Ficino masque matter Milton mind moral Muses Nativity Ode nature Neoplatonic Orpheus Ovid Paradise Lost paragraph Passion pastoral Penseroso Petrarch philosophical Phoebus Platonic pleasure poem poet poetic poetry political psalms readers Renaissance rhetoric rhyme seems sense serious Shepheardes Calendar shepherds singing Smectymnuus Solemn Music song Sonnet sort soul speech Spenser Spirit stanza stresses structure suggests symbolic Tasso Theocritus things understanding University Press Vergil verse virtue vision visual voice words writing
Referências a este livro
Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Visualização de excertos - 2002 |
Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Pré-visualização limitada - 2002 |