The Poetic Birth: Milton's Poems of 1645Scolar Press, 1991 - 249 páginas This book offers a reading of most of the poems collected by Milton in his youth and early maturity for Humphrey Moseley's publication of "The Poems of Mr John Milton" in 1645. The edition is examined as a poetic and political manifesto, anticipating many of the ideas more fully discussed in "Paradise Lost". Dr Moseley examines the development of Milton's poetic calling, its origins, authority and national importance, and sets these ideas in their European context. Also explored is Milton's inheritance not only from Classical authors but also from the Italians and Spenser. Dr Moseley then draws attention to the significant structure of the 1645 volume and discusses the manner in which Milton presents material, which was originally written for one audience and context, to another set of readers who knew him as a highly active political figure and who were intended to read this book in the months after the battle of Naseby. A prose translation of all the Latin poems is included. |
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Página 36
... seems already to have been taken . This rejection of the expected career presented no financial problems , for Milton's father was neither poor nor ungenerous , but , reading between the lines of Ad Patrem , we infer that he seems to ...
... seems already to have been taken . This rejection of the expected career presented no financial problems , for Milton's father was neither poor nor ungenerous , but , reading between the lines of Ad Patrem , we infer that he seems to ...
Página 131
... seems to me that , as with the corresponding opening of Il Penseroso , we are meant to look at these ten lines very obliquely indeed : their target can in no way correspond to the Melancholy addressed in the next poem ( and vice versa ) ...
... seems to me that , as with the corresponding opening of Il Penseroso , we are meant to look at these ten lines very obliquely indeed : their target can in no way correspond to the Melancholy addressed in the next poem ( and vice versa ) ...
Página 160
... seems to be a central structural principle in this poem as a whole , for just as the individual paragraphs Milton elaborated in the poem's second version seem to pivot on their centres , to highlight visually what was always there in ...
... seems to be a central structural principle in this poem as a whole , for just as the individual paragraphs Milton elaborated in the poem's second version seem to pivot on their centres , to highlight visually what was always there in ...
Índice
The ceaseless round of study and reading | 20 |
3 | 28 |
and Orpheus | 54 |
Direitos de autor | |
8 outras secções não apresentadas
Palavras e frases frequentes
Aeneid ancient argument audience called Cambridge canzone century chastity Christ Christian Church Classical Comus contemporaries Damon Dante darkness death developed Diodati discussion divine earth echo Eclogue Elegy England English epic example Faerie Queene father glimpse Go home unfed God's gods Greek harmony heaven heavenly holy human hymn idea Il Penseroso important Italian John Milton Jove King L'Allegro Lady language Latin learned lines literary look Lycidas Mansus Marsilio Ficino masque matter Milton mind moral Muses Nativity Ode nature Neoplatonic Orpheus Ovid Paradise Lost paragraph Passion pastoral Penseroso Petrarch philosophical Phoebus Platonic pleasure poem poet poetic poetry political psalms readers Renaissance rhetoric rhyme seems sense serious Shepheardes Calendar shepherds singing Smectymnuus Solemn Music song Sonnet sort soul speech Spenser Spirit stanza stresses structure suggests symbolic Tasso Theocritus things understanding University Press Vergil verse virtue vision visual voice words writing
Referências a este livro
Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Visualização de excertos - 2002 |
Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Pré-visualização limitada - 2002 |