The Works of Shakespeare: the Text Carefully Restored According to the First Editions: Measure for measure; Much ado about nothing; Midsummer-night's dream; Love's labour's lostJ. Munroe and Company, 1857 |
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Página 139
... Hero , Claudio , and John , certainly bears a strong resemblance to the tale of Ariodante and Genevra , which occupies the whole of the fifth and part of the sixth books of Ariosto's Orlando Furioso . A translation of this part of the ...
... Hero , Claudio , and John , certainly bears a strong resemblance to the tale of Ariodante and Genevra , which occupies the whole of the fifth and part of the sixth books of Ariosto's Orlando Furioso . A translation of this part of the ...
Página 141
... Hero , - and what will remain ? In other writers the main agent of the plot is always the prominent character : John is the mainspring of the plot in this play ; but he is merely shown , and then withdrawn . " We have already seen from ...
... Hero , - and what will remain ? In other writers the main agent of the plot is always the prominent character : John is the mainspring of the plot in this play ; but he is merely shown , and then withdrawn . " We have already seen from ...
Página 142
... Hero and Claudio , though rather beautiful than otherwise in their sim- plicity and uprightness , offer no very salient points , and are indeed nowise extraordinary : they derive their interest mainly from the events that befall them ...
... Hero and Claudio , though rather beautiful than otherwise in their sim- plicity and uprightness , offer no very salient points , and are indeed nowise extraordinary : they derive their interest mainly from the events that befall them ...
Página 144
... Hero's speech , - - " Dis- dain and scorn ride sparkling in her eyes , " & c .; but he seems to forget that these words are spoken with the intent that Beatrice shall hear them , and at the same time think she overhears them ; that is ...
... Hero's speech , - - " Dis- dain and scorn ride sparkling in her eyes , " & c .; but he seems to forget that these words are spoken with the intent that Beatrice shall hear them , and at the same time think she overhears them ; that is ...
Página 145
William Shakespeare Henry Norman Hudson, Samuel Weller Singer. Hero : they are thus disciplined , for a time at least , out of their playing , and made to show themselves as they are : before we saw but their art , now we see their ...
William Shakespeare Henry Norman Hudson, Samuel Weller Singer. Hero : they are thus disciplined , for a time at least , out of their playing , and made to show themselves as they are : before we saw but their art , now we see their ...
Palavras e frases frequentes
Armado Bawd Beat Beatrice Benedick Biron Bora brother Claud Claudio Cost Costard dance death Demetrius Dogb dost doth Duke Enter Escal Exeunt Exit eyes fair fairy father fool friar gentle Gentlemen of Verona give grace hand hast hath hear heart Heaven Helena Hermia Hero Hippolyta hither honour Isab John Kath King lady Leon Leonato look lord Angelo Love's Labour's Lost lovers Lucio Lysander madam maid marry master Master constable means Measure for Measure merry moon Moth never night offend pardon passage Pedro PHILOSTRATE play Poet's Pompey pray prince Prov Provost Puck Pyramus Quin SCENE sense Shakespeare signior soul speak sweet tell thee there's Theseus thing Thisby thou art Titania to-morrow tongue troth true Twelfth Night virtue What's woman word
Passagens conhecidas
Página 472 - When shepherds pipe on oaten straws, And merry larks are ploughmen's clocks; When turtles tread, and rooks and daws, And maidens bleach their summer smocks, The cuckoo then on every tree Mocks married men, for thus sings he: Cuckoo! Cuckoo, cuckoo — 0 word of fear, Unpleasing to a married ear.
Página 292 - I know a bank where the wild thyme blows, Where ox-lips, and the nodding violet grows ; Quite over-canopied with luscious woodbine, With sweet musk-roses, and with eglantine...
Página 472 - When shepherds pipe on oaten straws And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks The cuckoo then, on every tree, Mocks married men; for thus sings he, Cuckoo; Cuckoo, cuckoo: O word of fear, Unpleasing to a married ear!
Página 89 - Take, O, take those lips away, That so sweetly were forsworn; And those eyes, the break of day, Lights that do mislead the morn: But my kisses bring again Bring again; Seals of love, but seal'd in vain, Sealed in vain.
Página 51 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: How would you be, If he, which is the top of judgment, should But judge you as you are? O, think on that; And mercy then will breathe within your lips, Like man new made.
Página 316 - All school-days' friendship, childhood innocence? We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate.
Página 335 - The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
Página 282 - Swifter than the moon's sphere; And I serve the Fairy Queen, To dew her orbs upon the green. The cowslips tall her pensioners be; In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours. I must go seek some dewdrops here, And hang a pearl in every cowslip's ear.