Shakespeare, Julius CaesarEdward Arnold, 1976 - 63 páginas |
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Página 31
... effect that ' he who cuts off twenty years of life cuts off so many years of fearing death ' , as though that was his reason for joining the conspiracy . Then , in a self- consciously theatrical gesture , he tries to make a high ritual ...
... effect that ' he who cuts off twenty years of life cuts off so many years of fearing death ' , as though that was his reason for joining the conspiracy . Then , in a self- consciously theatrical gesture , he tries to make a high ritual ...
Página 36
... effect of the speech on the stage auditors ? And does the audience also judge the quality of the speech and the degree to which it reflects the speaker's character ? A massive piece of rhetoric on the stage is an extreme case of any ...
... effect of the speech on the stage auditors ? And does the audience also judge the quality of the speech and the degree to which it reflects the speaker's character ? A massive piece of rhetoric on the stage is an extreme case of any ...
Página 57
... effect . Yet , having been shown the different aspects of Brutus's character , having heard the different tones in which those different aspects were voiced , having watched Brutus modulate from private to public character and seen him ...
... effect . Yet , having been shown the different aspects of Brutus's character , having heard the different tones in which those different aspects were voiced , having watched Brutus modulate from private to public character and seen him ...
Palavras e frases frequentes
abstract admirable already ambitious anger Antony Antony's speech audience battle blood Brutus and Cassius Brutus replies Brutus's speech cadence Caesar's body Caesar's murder Caius Calphurnia Casca Cassius's character Cinna conspiracy conspirators crowd D. H. Lawrence David Daiches dead Decius effect elegiac fact feeling Flavius friendship genuine gesture goes grief heart human idealism ides of March James Joyce join judgement Julius Caesar kill Caesar kind language Lepidus logic manipulator Mark Antony Marullus moral motives moved murder Caesar murder of Caesar Nervii noble Octavius Octavius's passions Philippi play Plutarch political Pompey Pompey's Portia provokes quarrel question reason reproaches Richard III ritual Roman Rome says scene senseless things servile fearfulness Shakespeare Shakespeare's stage shows soldier soothsayer speak spirit of Caesar stage auditors suggests takes talk tell thee third person thou Titinius tone tragedy Trebonius turns view of Caesar voice words wrong