Shakespeare, Julius CaesarEdward Arnold, 1976 - 63 páginas |
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Página 32
... manipulator , the voice of Antony , who , unlike Brutus , knows both himself and others and , unlike Cassius , knows how to conceal his feelings and bide his time . Brutus , a simpleton beside the subtle Antony , takes the speech at its ...
... manipulator , the voice of Antony , who , unlike Brutus , knows both himself and others and , unlike Cassius , knows how to conceal his feelings and bide his time . Brutus , a simpleton beside the subtle Antony , takes the speech at its ...
Página 33
... manipulator and accomplished role - taker , but the speech he makes here begins in genuine grief ; its cadences , the placing of the pauses , the tone of voice , all suggest spontaneity . But when he turns from addressing the body to ...
... manipulator and accomplished role - taker , but the speech he makes here begins in genuine grief ; its cadences , the placing of the pauses , the tone of voice , all suggest spontaneity . But when he turns from addressing the body to ...
Página 41
... manipulator of crowds , now turns to the practical ends to which his oratory was a means . ' Bring me to Octavius , ' he says to the servant and they both leave the stage . Act III ends with the short scene in which Cinna SHAKESPEARE ...
... manipulator of crowds , now turns to the practical ends to which his oratory was a means . ' Bring me to Octavius , ' he says to the servant and they both leave the stage . Act III ends with the short scene in which Cinna SHAKESPEARE ...
Palavras e frases frequentes
abstract admirable already ambitious anger Antony Antony's speech audience battle blood Brutus and Cassius Brutus replies Brutus's speech cadence Caesar's body Caesar's murder Caius Calphurnia Casca Cassius's character Cinna conspiracy conspirators crowd D. H. Lawrence David Daiches dead Decius effect elegiac fact feeling Flavius friendship genuine gesture goes grief heart human idealism ides of March James Joyce join judgement Julius Caesar kill Caesar kind language Lepidus logic manipulator Mark Antony Marullus moral motives moved murder Caesar murder of Caesar Nervii noble Octavius Octavius's passions Philippi play Plutarch political Pompey Pompey's Portia provokes quarrel question reason reproaches Richard III ritual Roman Rome says scene senseless things servile fearfulness Shakespeare Shakespeare's stage shows soldier soothsayer speak spirit of Caesar stage auditors suggests takes talk tell thee third person thou Titinius tone tragedy Trebonius turns view of Caesar voice words wrong