Shakespeare, Julius CaesarEdward Arnold, 1976 - 63 páginas |
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Página 17
... present position and their own . ' Brutus ' and ' Caesar ' . What should be in that ' Caesar ' ? Why should that name be sounded more than yours ? He goes on to compare the two names , concluding that one is as good as the other . This ...
... present position and their own . ' Brutus ' and ' Caesar ' . What should be in that ' Caesar ' ? Why should that name be sounded more than yours ? He goes on to compare the two names , concluding that one is as good as the other . This ...
Página 29
... present his petition to Caesar as he passes , and his announced intention of doing this increases Portia's anxiety . It is nearly nine o'clock on the Ides of March . The act ends in a pervasive mood of foreboding . The foreboding is ...
... present his petition to Caesar as he passes , and his announced intention of doing this increases Portia's anxiety . It is nearly nine o'clock on the Ides of March . The act ends in a pervasive mood of foreboding . The foreboding is ...
Página 35
... present confusion and then announcing that he is going to try and work the people up in a speech . At this stage the moral balance of the play is not clear . We have admired the gentleness , the nobility , the idealism , of Brutus , and ...
... present confusion and then announcing that he is going to try and work the people up in a speech . At this stage the moral balance of the play is not clear . We have admired the gentleness , the nobility , the idealism , of Brutus , and ...
Palavras e frases frequentes
abstract admirable already ambitious anger Antony Antony's speech audience battle blood Brutus and Cassius Brutus replies Brutus's speech cadence Caesar's body Caesar's murder Caius Calphurnia Casca Cassius's character Cinna conspiracy conspirators crowd D. H. Lawrence David Daiches dead Decius effect elegiac fact feeling Flavius friendship genuine gesture goes grief heart human idealism ides of March James Joyce join judgement Julius Caesar kill Caesar kind language Lepidus logic manipulator Mark Antony Marullus moral motives moved murder Caesar murder of Caesar Nervii noble Octavius Octavius's passions Philippi play Plutarch political Pompey Pompey's Portia provokes quarrel question reason reproaches Richard III ritual Roman Rome says scene senseless things servile fearfulness Shakespeare Shakespeare's stage shows soldier soothsayer speak spirit of Caesar stage auditors suggests takes talk tell thee third person thou Titinius tone tragedy Trebonius turns view of Caesar voice words wrong