Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 83
... Macbeth revolted against what his hands were doing . As a result of this indication of a radical difference in inner nature , the two characters produce two contrary impressions although they are absolutely similar to each other in ...
... Macbeth revolted against what his hands were doing . As a result of this indication of a radical difference in inner nature , the two characters produce two contrary impressions although they are absolutely similar to each other in ...
Página 87
... Macbeth and Lady Macbeth , the poet has made it absolutely clear that neither of them was fitted by nature , for the role of a murderer , and that they both had a deep moral repugnance to acts of heinous crime . With how fine and subtle ...
... Macbeth and Lady Macbeth , the poet has made it absolutely clear that neither of them was fitted by nature , for the role of a murderer , and that they both had a deep moral repugnance to acts of heinous crime . With how fine and subtle ...
Página 170
... Macbeth on the eve of his murder of Duncan , a mere dagger of the mind , not sensible to the touch ; the ghost of Banquo , seen by Macbeth alone , and invisible to Lady Macbeth and the guests , appearing at the banquet immediately after ...
... Macbeth on the eve of his murder of Duncan , a mere dagger of the mind , not sensible to the touch ; the ghost of Banquo , seen by Macbeth alone , and invisible to Lady Macbeth and the guests , appearing at the banquet immediately after ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action Ægisthus Agamemnon ancient classical tragedy Antigone Antonio's Revenge apparition Aristotle Aubrey audience avenger Brutus Bussy D'Ambois Cæsar catastrophe chapter character circumstance Clytemnestra comedy comic Creon crime death deed Desdemona Dick double impression Dr Stockmann element Ellean essential external father feel Fool forces ghost Hamlet HELMER hesitancy horror human husband Iago Ibid incident inner instrument of relief instrument of tragic introduction killed King Lear literary lyrical Macbeth mind mitigated murder of Duncan nature Nora Othello outer pain passion Paula pity and fear play pleasure of tragedy plot poetry presented principle of relief produce regard revenge tragedies Revenger's Tragedy says scene Schopenhauer sense Shakespeare Shakespearean tragedy shock soliloquies sorrow spectacle spirit stage subtle suffering supernatural supernatural agencies sway of fate theme theory thou thrown Thyestes tion tragic art tragic conflict tragic drama tragic dramatist tragic hero tragic relief wicked wife