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Página 93
The theme of such plays is the hero's task of avenging a murdered parent or
kinsman , and its most marked trait is a reluctance and hesitancy on the part of
the would - be avenger to proceed to his revenge . He is represented as brooding
and ...
The theme of such plays is the hero's task of avenging a murdered parent or
kinsman , and its most marked trait is a reluctance and hesitancy on the part of
the would - be avenger to proceed to his revenge . He is represented as brooding
and ...
Página 169
1 The ghost of Thyestes , in Seneca's Agamemnon , thus comes to goad on a
hesitating would - be avenger to an act of vengeance . This gives the cue for
supernatural agencies of the type that we meet with in plays like Kyd's The
Spanish ...
1 The ghost of Thyestes , in Seneca's Agamemnon , thus comes to goad on a
hesitating would - be avenger to an act of vengeance . This gives the cue for
supernatural agencies of the type that we meet with in plays like Kyd's The
Spanish ...
Página 200
Now , in almost all plays belonging to the type of revenge tragedy the hero has
the common feature of being a hesitating would - be avenger of an act of murder .
It is this element of hesitancy in the hero that contains the soul of this species of ...
Now , in almost all plays belonging to the type of revenge tragedy the hero has
the common feature of being a hesitating would - be avenger of an act of murder .
It is this element of hesitancy in the hero that contains the soul of this species of ...
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Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow soul spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wicked wife