Tragic Relief |
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Página 58
Again , if the ultimate fall of the gigantic tragic hero brings a painful sense of the
sovereignty of fate , the valiant struggle of the mighty person against the adversity
that assails him lends a peculiar thrill to the fight and furnishes a pleasure to ...
Again , if the ultimate fall of the gigantic tragic hero brings a painful sense of the
sovereignty of fate , the valiant struggle of the mighty person against the adversity
that assails him lends a peculiar thrill to the fight and furnishes a pleasure to ...
Página 128
The caprice of chance , that throws the tragic hero into a situation with an infinite
potentiality for mischief for him in particular , suggests the sense of the sway of
fate , while the operation of his personal character in turning the situation into a ...
The caprice of chance , that throws the tragic hero into a situation with an infinite
potentiality for mischief for him in particular , suggests the sense of the sway of
fate , while the operation of his personal character in turning the situation into a ...
Página 183
the powers of fate , the sway of circumstances beyond the control of man . To
obviate this risk , and to make this device yield its full quota of tragic relief , the
same instrument of double impression , which , we have seen , is the basic
principle of ...
the powers of fate , the sway of circumstances beyond the control of man . To
obviate this risk , and to make this device yield its full quota of tragic relief , the
same instrument of double impression , which , we have seen , is the basic
principle of ...
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Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow soul spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wicked wife