Tragic Relief |
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Página 76
... it indicates that the conflict was so powerful that it unbalanced his mind and
drove him out of his wits Hamlet , too , occasionally verges on a condition of
lunacy , and there also it is intended to indicate the exceptional intensity of the
conflict ...
... it indicates that the conflict was so powerful that it unbalanced his mind and
drove him out of his wits Hamlet , too , occasionally verges on a condition of
lunacy , and there also it is intended to indicate the exceptional intensity of the
conflict ...
Página 207
An airy utterance like this does not indicate any inner struggle in the speaker ,
and fails to impart any distinctive feature to his character . Equally vacuous are
these lines , occurring in another soliloquy of Antonio , in which he envies a fool
his ...
An airy utterance like this does not indicate any inner struggle in the speaker ,
and fails to impart any distinctive feature to his character . Equally vacuous are
these lines , occurring in another soliloquy of Antonio , in which he envies a fool
his ...
Página 228
... of art is to give pleasure . We have tried to indicate that this fundamental
principle of ' relief ' has been in operation all through the history of tragic drama ,
and that there is no essential distinction in this respect between classical tragedy
and ...
... of art is to give pleasure . We have tried to indicate that this fundamental
principle of ' relief ' has been in operation all through the history of tragic drama ,
and that there is no essential distinction in this respect between classical tragedy
and ...
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Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow soul spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wicked wife