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impulse , the inner mental conflict and the sway of forces beyond human control ,
which constitute that setting . ... of a tragedy , discounting their face - value and
emphasizing the inner motives and outer forces which prompt and shape them .
impulse , the inner mental conflict and the sway of forces beyond human control ,
which constitute that setting . ... of a tragedy , discounting their face - value and
emphasizing the inner motives and outer forces which prompt and shape them .
Página 98
He is in a fix , and , after an acute inner conflict between these two contrary
impulses , he at last makes the worse choice , and sends away the patient to be
killed by a quack . The character of Dr Ridgeon would have been simply
repulsive ...
He is in a fix , and , after an acute inner conflict between these two contrary
impulses , he at last makes the worse choice , and sends away the patient to be
killed by a quack . The character of Dr Ridgeon would have been simply
repulsive ...
Página 99
The ultimate source of the tragic fate that overtakes the hero is an act of crime or
folly on his own part , and this device of inner conflict , which presents him as
pausing , hesitating , or repenting inwardly , while outwardly engaging himself in
a ...
The ultimate source of the tragic fate that overtakes the hero is an act of crime or
folly on his own part , and this device of inner conflict , which presents him as
pausing , hesitating , or repenting inwardly , while outwardly engaging himself in
a ...
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Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow soul spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wicked wife