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Página 35
Again , the pleasure furnished by a great tragedy like the Prometheus Bound of
Æschylus , presenting the titanic struggle of a champion of the cause of humanity
against the tyranny of a wicked god , the common foe of all mankind , must ...
Again , the pleasure furnished by a great tragedy like the Prometheus Bound of
Æschylus , presenting the titanic struggle of a champion of the cause of humanity
against the tyranny of a wicked god , the common foe of all mankind , must ...
Página 60
The main theme of a tragic drama is the story of a struggle between hostile forces
engaged in a fierce contest with one another , Tculminating in a disastrous issue .
Every tragedy presents the hero of the play as being powerfully assailed by an ...
The main theme of a tragic drama is the story of a struggle between hostile forces
engaged in a fierce contest with one another , Tculminating in a disastrous issue .
Every tragedy presents the hero of the play as being powerfully assailed by an ...
Página 215
No inner struggle is attributed to either to redeem the wicked act , in the manner
in which internal conflict is introduced by Shakespeare , in a play like Macbeth ,
in order to extenuate the monstrous deeds of the play . When Giovanni first
makes ...
No inner struggle is attributed to either to redeem the wicked act , in the manner
in which internal conflict is introduced by Shakespeare , in a play like Macbeth ,
in order to extenuate the monstrous deeds of the play . When Giovanni first
makes ...
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Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow soul spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wicked wife