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Página 175
As Mr Whitmore rightly remarks : " The sea is magnified by Synge into an
elemental force which takes on the attributes of the supernatural'.1 This rapid
survey of the use of the supernatural in tragedy , that we have just taken , shows
that the ...
As Mr Whitmore rightly remarks : " The sea is magnified by Synge into an
elemental force which takes on the attributes of the supernatural'.1 This rapid
survey of the use of the supernatural in tragedy , that we have just taken , shows
that the ...
Página 177
We thus find that there is a total lack of any law or system in regard to the form ,
character and dramatic function of the supernatural introduced into tragic drama .
The very fact that there is such a wide variance in the nature and function of the ...
We thus find that there is a total lack of any law or system in regard to the form ,
character and dramatic function of the supernatural introduced into tragic drama .
The very fact that there is such a wide variance in the nature and function of the ...
Página 179
1 1 in Shakespeare's tragedies , sum up well the function of the supernatural in
tragedy : ' If so little is permitted to supernatural agency , was it worth while to
introduce it at all ? In reality , the function of the supernatural in Shakespeare is
most ...
1 1 in Shakespeare's tragedies , sum up well the function of the supernatural in
tragedy : ' If so little is permitted to supernatural agency , was it worth while to
introduce it at all ? In reality , the function of the supernatural in Shakespeare is
most ...
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Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow soul spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wicked wife