Tragic Relief |
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Página 58
... ineffectuality of that greatness to save the hero from sorrow and death , serve to
impress upon the audience the fact of the essential equality between the prince
and the beggar , in regard to the sway of fate and the inevitability of suffering .
... ineffectuality of that greatness to save the hero from sorrow and death , serve to
impress upon the audience the fact of the essential equality between the prince
and the beggar , in regard to the sway of fate and the inevitability of suffering .
Página 67
is accompanied by a refreshing sense that , however powerfully the force of
circumstance may prevail over man's fate and fortunes , the strength and
resources of man are capable of resisting the sway of circumstance in an equally
formidable ...
is accompanied by a refreshing sense that , however powerfully the force of
circumstance may prevail over man's fate and fortunes , the strength and
resources of man are capable of resisting the sway of circumstance in an equally
formidable ...
Página 183
the powers of fate , the sway of circumstances beyond the control of man . To
obviate this risk , and to make this device yield its full quota of tragic relief , the
same instrument of double impression , which , we have seen , is the basic
principle of ...
the powers of fate , the sway of circumstances beyond the control of man . To
obviate this risk , and to make this device yield its full quota of tragic relief , the
same instrument of double impression , which , we have seen , is the basic
principle of ...
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Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow soul spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wicked wife