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Página 64
King Lear the frank and affectionate Lear finds himself in conflict with the
diabolical villainy of his two wicked daughters , who deceive him with their false
and extravagant professions of love . ) In Macbeth the central situation is one of
conflict ...
King Lear the frank and affectionate Lear finds himself in conflict with the
diabolical villainy of his two wicked daughters , who deceive him with their false
and extravagant professions of love . ) In Macbeth the central situation is one of
conflict ...
Página 80
Richard III is a wicked character , who proceeds from one crime to another
without the slightest hesitancy or compunction and with a clear knowledge of the
heinousness of his acts . In his soliloquies , far from reproaching himself for his
wicked ...
Richard III is a wicked character , who proceeds from one crime to another
without the slightest hesitancy or compunction and with a clear knowledge of the
heinousness of his acts . In his soliloquies , far from reproaching himself for his
wicked ...
Página 215
No inner struggle is attributed to either to redeem the wicked act , in the manner
in which internal conflict is introduced by Shakespeare , in a play like Macbeth ,
in order to extenuate the monstrous deeds of the play . When Giovanni first
makes ...
No inner struggle is attributed to either to redeem the wicked act , in the manner
in which internal conflict is introduced by Shakespeare , in a play like Macbeth ,
in order to extenuate the monstrous deeds of the play . When Giovanni first
makes ...
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Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow soul spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wicked wife