A Poetry PrimerRinehart, 1935 - 92 páginas |
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Página 45
... LINE These feet are usually grouped in certain definite patterns to form lines , and the lines named according to the number of feet in each . Thus when there is one foot to the line the verse is called monometer ; when there are two ...
... LINE These feet are usually grouped in certain definite patterns to form lines , and the lines named according to the number of feet in each . Thus when there is one foot to the line the verse is called monometer ; when there are two ...
Página 49
... lines , obviously two lines are the fewest that a stanza may contain . There is no arbitrary limit at the other extreme to the number of lines a stanza may have , although in practice stanzas of more than twelve lines are rare . A ...
... lines , obviously two lines are the fewest that a stanza may contain . There is no arbitrary limit at the other extreme to the number of lines a stanza may have , although in practice stanzas of more than twelve lines are rare . A ...
Página 72
... lines , and there are modern instances of nine- , ten- , and eleven - line stanzas , the most common , apart from the eight - line stanza , being that of ten lines with an envoy of five lines . The following example illustrates the ...
... lines , and there are modern instances of nine- , ten- , and eleven - line stanzas , the most common , apart from the eight - line stanza , being that of ten lines with an envoy of five lines . The following example illustrates the ...
Índice
PREFACE CHAPTER I THE POET | 1 |
THE NATURE AND USES OF POETRY | 4 |
THE LANGUAGE OF POETRY | 13 |
Direitos de autor | |
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Palavras e frases frequentes
abab accent anapest antistrophe basic foot beauty birds blank verse Browning's called catalexis century cesura common consonants couplet Cowleyan dactyl death doth drama edited elements emotion employed English poetry English verse envoy epode examples experience expression feeling feet free verse give Greek hath Heaven heroic epic iamb iambic pentameter ideas imagination important instance Italian form Keats language light lines LONGFELLOW love thee Lowell's lyric poetry matter Matthew Arnold metre metrical scheme Milton mind narrative poetry night o'er pause person Pindar poem poet poetic popular ballad prose prosody qualities quatrain rhetorical rhythm rime-scheme riming words Robert Bridges Rose sense Shakespeare Shelley Shelley's sing song sonnet soul sounds Spenser stanza stanzaic forms story stress strophe structure student sweet syllables rime TENNYSON tercet themes things thou thought tion trochaic trochee understanding unstressed syllables usually vowels W. B. Yeats Whitman's WORDSWORTH writing written