Little Songs: Women, Silence, and the Nineteenth-century SonnetOhio State University Press, 2007 - 199 páginas In Little Songs: Women, Silence, and the Nineteenth-Century Sonnet, Amy Christine Billone analyzes the bond between lyric poetry and silence in women's sonnets ranging from the late eighteenth-century works of Charlotte Smith, Helen Maria Williams, and Anna Maria Smallpiece to Victorian texts by Elizabeth Barrett, Christina Rossetti, Isabella Southern, and other, lesser-known female poets. Although scholars acknowledge that women initiated the sonnet revival in England, Little Songs is the only major study of nineteenth-century female sonneteers. Billone argues not that women's sonnets overcame silence in favor of lyrical speech during the nineteenth-century sonnet revival, but rather that women simultaneously posited both muteness and volubility through style and theme. In opposition to criticism that stresses a modern shift from compensatory to non-consolatory poems of mourning, Billone demonstrates how women invented contemporary elegiac poetics a century in advance. Adding to critical interest in the alliance between silence and literature, this book offers a complex study of the overwhelming impact that silence makes, not only on British women's poetry, but also on the development of modern poetry and intellectual inquiry. Ultimately, Little Songs illustrates how the turn away from the kind of silence that preoccupied nineteenth-century women poets introduced the start of twentieth-century thought. |
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... argue that the sonnet , better than any other form , allowed nineteenth - century women poets to investigate and ... argues , the sonnet was the first lyric form since the fall of the Roman Empire designed not for song or for perfor ...
... argue that the sonnet , better than any other form , allowed nineteenth - century women poets to investigate and ... argues , the sonnet was the first lyric form since the fall of the Roman Empire designed not for song or for perfor ...
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... argues that Bowles's sonnets are more intellectual than Smith's " only in the sense that they grant consolatory power to reflective distance . " 33 While Smith's sonnets often " attempt to convey the almost insupportable nature of the ...
... argues that Bowles's sonnets are more intellectual than Smith's " only in the sense that they grant consolatory power to reflective distance . " 33 While Smith's sonnets often " attempt to convey the almost insupportable nature of the ...
Página 79
... argues that " the speaker's colours , reduced to ' so dead / And pale a stuff ' by ' frequent tears ' ( sonnet 8 ) , take on the verdant hues of nature that , in turn , inform poetry - what Browning had , for his part , called ' heart ...
... argues that " the speaker's colours , reduced to ' so dead / And pale a stuff ' by ' frequent tears ' ( sonnet 8 ) , take on the verdant hues of nature that , in turn , inform poetry - what Browning had , for his part , called ' heart ...
Índice
Elizabeth Barretts Sonnet Turn | 47 |
CHAPTER 3 | 54 |
Christina Rossetti and the Music of Silence | 81 |
Direitos de autor | |
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Little Songs: Women, Silence, and the Nineteenth-century Sonnet Amy Christine Billone Pré-visualização limitada - 2007 |
Little Songs: Women, Silence, and the Nineteenth-century Sonnet Amy Christine Billone Visualização de excertos - 2007 |
Little Songs: Women, Silence, and the Nineteenth-Century Sonnet Amy Christine Billone Pré-visualização indisponível - 2021 |
Palavras e frases frequentes
addressee amatory Anna Maria Smallpiece appear argues autobiographical Barrett Browning's Barrett's sonnet begins beloved biographical Bowles Bowles's century Charlotte Smith Christina Rossetti critics critique Dante Gabriel dead death Dora Greenwell double echoes edited Elegiac Sonnets Elizabeth Barrett Browning femininity feminized flowers gender Glenmorris Gray Gray's Greenwell Greenwell's grieving hand Haydon heart Helen Maria Williams hopeless grief Isabella Southern italics language Leighton literary Little Songs lyric male Mary Russell Mitford masculine Michael Field Mitford Monna Innominata mourning nineteenth nineteenth-century women octave Past and Future personifications Petrarch Phelan poem's poems poetic Portuguese quatrain readers references rhyme scheme Robert Browning role Romantic Rossetti's sonnets secret seems sestet silence sing Smallpiece's Smith's sonnets Sonnet 27 Sonnet 44 Sonnet 85 Sonnet 9 sonnet form Sonnet Sequence sorrow Southern's sonnet speak speaker speech sublime tears tercet thee thou tion tradition University Press voice weep woman women poets women's sonnets words Wordsworth's writing