 fine arts, not imitation, but creation, is the aim. In landscapes, the painter should give the suggestion of a fairer creation than we know. The details, the prose of nature he should omit, and give us only the spirit and splendor.  The Maine Journal of Education - Página 2851869Visualização integral - Acerca deste livro
 | Ralph Waldo [essays] Emerson - 1841 - 408 páginas
...employ the popular distinction of works according to their aim, either at use or beauty. Thus in our fine arts, not imitation, but creation is the aim....nature, he should omit, and give us only the spirit and splendour. He should know that the landscape has beauty for his eye, because it expresses a thought... | |
 | Ralph Waldo Emerson - 1848 - 354 páginas
...popular distinction of works according to their aim either at use or beauty. Thus in our fine arls, not imitation, but creation, is the aim. In landscapes,...should omit, and give us only the spirit and splendor. He should know that the landscape has beauty for his eye, because it expresses a thought which is to... | |
 | Ralph Waldo Emerson - 1848 - 400 páginas
...employ the popular distinction of works according to their aim, either at use or beauty. Thus in our fine arts, not imitation, but creation is the aim....nature he should omit, and give us only the spirit and splendour. He should know that the landscape has beauty for his eye, because it expresses a thought... | |
 | Ralph Waldo Emerson - 1848 - 384 páginas
...employ the popular distinction of works according to their aim, either at use or beauty. Thus in our fine arts, not imitation, but creation is the aim....nature he should omit, and give us only the spirit and splendour. He should know that the landscape has beauty for his eye, because it expresses a thought... | |
 | Ralph Waldo [essays] Emerson - 1849 - 270 páginas
...employ the popular distinction of works according to their aim, either at use or beauty. Thus in our fine arts, not imitation, but creation is the aim....nature he should omit, and give us only the spirit and splendour. He should know that the landscape has beauty for his eye, because it expresses a thought... | |
 | Alexander Melville Bell - 1849 - 356 páginas
...whole. Thus, - iu our Fine - Arts, - not imitation, - but - creation - is - the aim. In landscape, - the painter - should - give - the suggestion - of...details, - the prose - of Nature, - he should - omit, more - the expression - of Nature - than - Nature - herself, - he will - exalt - in his copy - the... | |
 | Ralph Waldo Emerson - 1850 - 352 páginas
...employ the popular distinction of works according to their aim either at use or beauty. Thus in our fine arts, not imitation, but creation, is the aim....should omit, and give us only the spirit and splendor. He should know that the landscape has beauty for his eye, because it expresses a thought which is to... | |
 | Ralph Waldo Emerson - 1850 - 354 páginas
...employ ihe popular distinction of works according to their aim either at use or beauty. Thus in our fine arts, not imitation, but creation, is the aim....should omit, and give us only the spirit and splendor. He should know that the landscape has beauty for his eye, because it expresses a thought which is to... | |
 | Ralph Waldo [essays] Emerson - 1853 - 214 páginas
...employ the popular distinction of works according to their aim either at use or beauty. Thus in our fine arts, not imitation, but creation, is the aim....should omit, and give us only the spirit and splendor. He should know that the landscape has beauty for his eye, because it expresses a thought which is to... | |
 | Ralph Waldo [essays] Emerson - 1853 - 214 páginas
...employ the popular distinction of works according to their aim either at use or beauty. Thus in our fine arts, not imitation, but creation, is the aim....should omit, and give us only the spirit and splendor. He should know that the landscape has beauty for his eye, because it expresses a thought which is to... | |
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