 | 1840 - 592 páginas
...as characteristic of the poetic feeling and nationality (if 1 may use such a term) of that period. " In Venice, Tasso's echoes are no more, And silent rows the songless gondolier." The music that we had to-night was very beautiful, and as it was a still, warm evening we got into... | |
 | George Clinton - 1825 - 826 páginas
...showers. In purple was she robed, and of her feast Monarchs parlook, and deemed their dignity increased. In Venice Tasso's echoes are no more, And silent rows the songless gondolier; Her palaces arc crumbling to the shore, And music meets not always now the ear : Those days are gone — but Beauty... | |
 | Ronald M'Chronicle (pseud.) - 1825 - 804 páginas
...still he found her lovely, even in her ruin, and though many might fly from her in disgust, though " In Venice Tasso's echoes are no more, And silent rows the songless gondolier," Charles thought, that if lord Byron could see enough of beauty left to give her a place in his never-dying... | |
 | George Gordon Byron Baron Byron - 1831 - 576 páginas
...for the purpose. " This is the first stanza of our new Canto ; and now for a line of the second : " In Venice, Tasso's echoes are no more, And silent rows the songless gondolier, Her palaces, &c. &c. " You know that formerly the gondoliers sung always, and Tasso's Gierusalemme was their ballad.... | |
 | George Gordon N. Byron (6th baron.) - 1831 - 622 páginas
...for the purpose. " This is the first stanza of our new Canto ; and now for a line of the second : " In Venice, Tasso's echoes are no more, And silent rows the songless gondolier, Her palaces, 'fec. 'fec. I05 "There! there's a hrick of yoar new flahcl! and now, sirrah ! whnt say you to the sample... | |
 | George Gordon Byron Baron Byron, Thomas Moore - 1831 - 572 páginas
...for the purpose. " This is the first stanza of our new Canto ; and now for a line of the second : " In Venice, Tasso's echoes are no more, And silent rows the songless gondolier, Her palaces, &c. &c. " You know that formerly the gondoliers sung always, and Tasso's Gierusalemme was their ballad.... | |
 | Thomas Moore - 1832 - 512 páginas
...for the purpose. « This is the first stanza of our new Canto ; and now for a line of the second : In Venice, Tasso's echoes are no more, And silent rows the songless gondolier, Her palaces, etc. etc. « You know that formerly the gondoliers sung always, and Tasso's Gierusalemme was their... | |
 | George Gordon Byron Baron Byron, Thomas Moore - 1833 - 384 páginas
...the purpose. " This is the first stanza of our new Canto ; and now for a line of the second : — " In Venice, Tasso's echoes are no more, And silent rows the songless gondolier, Her palaces, &c. &c. " You know that formerly the gondoliers sung always, and Tasso's Gierusalemme was their ballad.... | |
 | George Gordon N. Byron (6th baron.) - 1833 - 666 páginas
...for the purpose. ' This is the first stanza of our new Can to; and now ' for a line of the second : ' In Venice, Tasso's echoes are no more, ' And silent rows the songless gondolier, ' Her palaces, Sec. &c. ' You know that formerly the gondoliers sung ' always, and Tasso's Gierusalemme was their... | |
 | 1834 - 532 páginas
...remember the usual verses, and can execute the chant, it is never voluntarily undertaken, and now " In Venice, Tasso's echoes are no more, And silent rows the songless gondolier ; Her palacus are crumbling to the shore, And ur. MI- meets not always now the ear : Those days are gone.'"... | |
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Poured in her lap all gems in sparkling showers. In purple was she robed, and of her feast Monarchs partook, and deemed their dignity increased. In Venice Tasso's echoes are no more, And silent rows the songless gondolier... 
