The Literary Criterion, Volume 10Popular Prakashan, 1971 |
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Página 41
... voice , stating this simple melody decisively in cap . 1. The second voice , giving the responsive entry in another key , is the ' Great Lombard ' , who introduces the theme of ' new and different duties ' in cap . 7 . A third voice now ...
... voice , stating this simple melody decisively in cap . 1. The second voice , giving the responsive entry in another key , is the ' Great Lombard ' , who introduces the theme of ' new and different duties ' in cap . 7 . A third voice now ...
Página 42
... voices of the novel singing their cumulative anti - fascist subject in stretto around the fascist war memorial . The first voice , the hero , eventually weeps for grief and drunken- ness . In this way the ' abstract furies ' of the ...
... voices of the novel singing their cumulative anti - fascist subject in stretto around the fascist war memorial . The first voice , the hero , eventually weeps for grief and drunken- ness . In this way the ' abstract furies ' of the ...
Página 51
... voice remained a patient whisper . ' I assure you I don't want to go upstairs ' . ' My dear , you are being very awkward . All the ladies retire upstairs at this point . They are waiting for you , dear ' . ' But I don't want to go ...
... voice remained a patient whisper . ' I assure you I don't want to go upstairs ' . ' My dear , you are being very awkward . All the ladies retire upstairs at this point . They are waiting for you , dear ' . ' But I don't want to go ...
Índice
A Report on the Conference of Common | 1 |
Wordsworth and Beethoven as Romantic | 14 |
Virginia | 28 |
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