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Think ye, that sic as you and I,

Wha drudge and drive through wet and dry,
Wi' never-ceasing toil;

Think ye, we are less blest than they,
Wha scarcely tent us in their way,
As hardly worth their while?
Alas! how aft, in haughty mood,
God's creatures they oppress!
Or else, neglecting a' that's guid,
They riot in excess!

Baith careless and fearless
Of either heaven or hell!
Esteeming and deeming
It's a' an idle tale!

Then let us cheerfu' acquiesce;
Nor make our scanty pleasures less,
By pining at our state;

And even should misfortunes come,
I, here wha sit, hae met wi' some,
An's thankfu' for them yet.
They gie the wit of age to youth;

They let us ken oursel';

They make us see the naked truth,
The real guid and ill.

observe

Though losses and crosses

Be lessons right severe,

There's wit there, ye'll get there,
Ye'll find nae other where.

But tent me, Davie, ace o' hearts!
(To say aught less wad wrang the cartes,
And flatt'ry I detest)

This life has joys for you and I;
And joys that riches ne'er could buy;
And joys the very best.

There's a' the pleasures o' the heart,
The lover and the frien';

Ye hae your Meg,' your dearest part,
And I my darling Jean!

It warms me, it charms me,
To mention but her name:
It heats me, it beets me,

And sets me a' on flame!

Oh all ye powers who rule above!
Oh Thou whose very self art love!
Thou know'st my words sincere!
The life-blood streaming through my heart,
Or my more dear immortal part,

Is not more fondly dear!
When heart-corroding care and grief

Deprive my soul of rest,

Her dear idea brings relief

And solace to my breast.
Thou Being, all-seeing,

Oh hear my fervent prayer!
Still take her, and make her
Thy most peculiar care!

All hail, ye tender feelings dear!
The smile of love, the friendly tear,
The sympathetic glow!

Long since, this world's thorny ways
Had numbered out my weary days,
Had it not been for you!

'Sillar's flame was a lass named Margaret Orr, who had the charge of the children of Mrs Stewart of Stair. Burns, accompanying his friend on a visit to Stair, found some other lasses there who were good singers, and communicated to them some of his songs in manuscript. Chance threw one of these in the way of Mrs Stewart, who, being struck by its elegance and tenderness, resolved to become acquainted with the author. Accordingly, on his next visit to the house, he was asked to go into the drawing-room to see Mrs Stewart, who thus became the first friend he had above his own rank in life. It was not the fortune of 'Meg' to become Mrs Sillar,

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Gilbert says in addition, and the addition is most interesting: 'I thought it [the epistle] at least equal, if not superior, to many of Allan Ramsay's epistles, and that the merit of these, and much other Scottish poetry, seemed to consist principally in the knack of the expression; but here there was a strain of interesting sentiment, and the Scotticism of the language scarcely seemed affected, but appeared to be the natural language of the poet; that, besides, there was certainly some novelty in a poet pointing out the consolations that were in store for him when he should go a-begging. Robert seemed very well pleased with my criticism, and we talked of sending it to some magazine; but as this plan afforded no opportunity of learning how it would take, the idea was dropped.'

In the seed-time of 1785-the date is from the poet's own authority—he attended a masonic meeting at Torbolton, when there chanced to be also present the schoolmaster of the parish, a man with as powerful a self-esteem as the poet himself, though of a different kind, or manifested differently. This personage, John Wilson by name, to eke out a scanty subsistence, as Gilbert tells us, had set up a shop of grocery goods. Having accidentally fallen in with some medical books, and become most hobby

horsically attached to the study of medicine, he had added the sale of a few medicines to his little trade. He had got a shop-bill printed, at the bottom of which, overlooking his own incapacity, he had advertised that "Advice would be given in common disorders at the shop gratis." On this occasion he made a somewhat too ostentatious display of his medical attainments. It is said that Burns and he had a dispute, in which the poor dominie brought forward his therapeutics somewhat offensively. Be this as it may, in going home that night, Burns conceived, and partly composed, his poem of Death and Dr Hornbook. 'These circumstances,' adds Gilbert, he related when he repeated the verses to me next afternoon, as I was holding the plough, and he was letting the water off the field beside me.'

This, then, as far as we can see, is, next to the Epistle to Davie, the first considerable poem by Burns manifesting anything like the vigour which is characteristic of his principal pieces:

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I was come round about the hill,
And todlin' down on Willie's mill,'
Setting my staff wi' a' my skill,

To keep me sicker;

Though leeward whyles, against my will,
I took a bicker.

I there wi' Something did forgather,
That put me in an eerie swither;
An awfu' scythe, out-owre ae shouther,
Clear-dangling, hang;

A three-taed leister on the ither

Lay, large and lang.

Its stature seemed lang Scotch ells twa,

The queerest shape that e'er I saw,

For fient a wame it had ava;

And then, its shanks,

They were as thin, as sharp and sma',

As cheeks o' branks."

sure

sometimes

short race

dismal hesitation

fish-spear

belly

'Guid e'en,' quo' I; 'friend, hac ye been mawin',
When ither folk are busy sawin'?

It seemed to mak a kind o' stan',
But naething spak;

At length says I: 'Friend, whare ye gaun—
Will ye go back?'

It spake right howe: My name is Death, hollow
But be na fley'd.' Quoth I: 'Guid faith, frightened
Ye're maybe come to stap my breath;

But tent me, billie

I red ye weel, tak care o' scaith,

See, there's a gully!'

'Guidman,' quo' he, 'put up your whittle,

I'm no designed to try its mettle;

But if I did, I wad be kittle

To be mislear'd; 3

I wadna mind it, no that spittle

Out-owre my beard.''

advise-harm

clasp-knife

difficult

1 Torbolton Mill, situated on the rivulet Faile, about two hundred yards to the east of the village, on the road to Mossgiel; then occupied by William Muir, an intimate friend of the Burns family-from him it was called Willie's Mill. Mr William Muir, Torbolton Mill,' appears amongst the subscribers to the Edinburgh edition of the poems, in which the above piece first appeared.

2 Branks-a kind of wooden frame, forming, with a rope, a bridle for cows.

To be put out of my art. This is not the usual sense of the word, which Burns himself interprets in his glossary into mischievous, unmannerly; but the sense of the passage can only be so understood.

Both in the scythe and in this feature of the beard, which, as connected with a skeleton, is

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