Queering the RenaissanceDuke University Press, 1994 - 388 páginas Queering the Renaissance offers a major reassessment of the field of Renaissance studies. Gathering essays by sixteen critics working within the perspective of gay and lesbian studies, this collection redraws the map of sexuality and gender studies in the Renaissance. Taken together, these essays move beyond limiting notions of identity politics by locating historically forms of same-sex desire that are not organized in terms of modern definitions of homosexual and heterosexual. The presence of contemporary history can be felt throughout the volume, beginning with an investigation of the uses of Renaissance precedents in the 1986 U.S. Supreme Court decision Bowers v. Hardwick, to a piece on the foundations of 'our' national imaginary, and an afterword that addresses how identity politics has shaped the work of early modern historians. The volume examines canonical and noncanonical texts, including highly coded poems of the fifteenth-century Italian poet Burchiello, a tale from Marguerite de Navarre's Heptameron, and Erasmus's letters to a young male acolyte. English texts provide a central focus, including works by Spenser, Shakespeare, Bacon, Donne, Beaumont and Fletcher, Crashaw, and Dryden. Broad suveys of the complex terrains of friendship and sodomy are explored in one essay, while another offers a cross-cultural reading of the discursive sites of lesbian desire. Contributors. Alan Bray, Marcie Frank, Carla Freccero, Jonathan Goldberg, Janet Halley, Graham Hammill, Margaret Hunt, Donald N. Mager, Jeff Masten, Elizabeth Pittenger, Richard Rambuss, Alan K. Smith, Dorothy Stephens, Forrest Tyler Stevens, Valerie Traub, Michael Warner |
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... Never Had, Jim Cullen brings a unique voice to the story of an imperfect nation's struggle to exist and to maintain its democratic ideals. Set in the history classroom of retiring teacher Kevin Lee and his inquisitive, if not impatient ...
... Never Had, Jim Cullen brings a unique voice to the story of an imperfect nation's struggle to exist and to maintain its democratic ideals. Set in the history classroom of retiring teacher Kevin Lee and his inquisitive, if not impatient ...
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... com SHONEN JUMP viz.com RATED PARENTAL ADVISORY WE NEVER LEARN is rated T + for Older Teen and is recommended for ages 16 and up . This volume contains mild OERTEX language and sexual themes . [ x ] + We Never Learn 13 Spirits on.
... com SHONEN JUMP viz.com RATED PARENTAL ADVISORY WE NEVER LEARN is rated T + for Older Teen and is recommended for ages 16 and up . This volume contains mild OERTEX language and sexual themes . [ x ] + We Never Learn 13 Spirits on.
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... never seen a friend die in combat. His tattoos weren't marred by bullet holes or shrapnel scars. He'd never tested the measure of himself or pushed others to do the same. He'd never bonded with men willing to die for him, and him for ...
... never seen a friend die in combat. His tattoos weren't marred by bullet holes or shrapnel scars. He'd never tested the measure of himself or pushed others to do the same. He'd never bonded with men willing to die for him, and him for ...
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... never named in the original complaint , all were of sound mind , and all gave their funds voluntarily and of their free will , and no one held a gun to their head , and no one paid a fee to the Appellant as Pyramiding requires . Further ...
... never named in the original complaint , all were of sound mind , and all gave their funds voluntarily and of their free will , and no one held a gun to their head , and no one paid a fee to the Appellant as Pyramiding requires . Further ...
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... never bought any stocks for him , and never held any stocks for him ; that it was simply a matter of entering on the books , sending him a statement of the money received and dividends on the stock , and taking his money and he getting ...
... never bought any stocks for him , and never held any stocks for him ; that it was simply a matter of entering on the books , sending him a statement of the money received and dividends on the stock , and taking his money and he getting ...
Índice
in the Renaissance | 15 |
Homosexuality and the Signs of Male Friendship in Elizabethan England | 40 |
The InSignificance of Lesbian Desire in Early Modern England | 62 |
Reading Sexuality and Politics in Burchiello | 84 |
Nationalism and the Castigation of Desire | 107 |
The Language of Friendship Pleasure and the Renaissance Letter | 124 |
John Bale and Early Tudor Sodomy Discourse | 141 |
Nicholas Udall Master of Revels | 162 |
Bacon and THE MASCULINE BIRTH OF TIME | 236 |
The Body of Jesus and SeventeenthCentury Religious Lyric | 253 |
Collaboration and the Reproduction of Beaumont and Fletcher | 280 |
Drydens Representation of Shakespeare in ALL FOR LOVE | 310 |
New English Sodom | 330 |
Afterword | 359 |
Notes on Contributors | 379 |
383 | |
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Palavras e frases frequentes
acts Alan Bray Amoret argues Bacon Bale Bale's Beaumont and Fletcher body Bray's Britomart buggery Burchiello Bynum century Christ claim collaboration context Court covenant Crashaw crime critical cultural desire discourse discussion Dryden early modern edition Elizabethan English Epistemology Erasmus Erasmus's erotic essay Eve Kosofsky Sedgwick female feminine gender Hardwick heterosexual historical homoerotic homoeroticism homosexual homosocial identity John Jonathan Goldberg Juliet language lesbian letter literary London Marguerite de Navarre marriage Masculine Birth means Medici Merrygreek narrative nature Nicholas Udall patriarchal penetration phallus play poem poetry poets political practice purging Puritan queer rape readers reference relation relationship Renaissance Renaissance England rhetoric Roister Doister Romeo Rosaline scene Scudamour secret Servatius sexual Shakespeare social sodomy sodomy statutes sonnet Spenser suggest textual thou tion tribadism Udall Udall's University Press volume Winthrop woman women wounds writing York
Referências a este livro
The Lives of Women: A New History of Inquisitional Spain Lisa Vollendorf Pré-visualização limitada - 2005 |