Shakspeare and His TimesHarper, 1852 - 360 páginas |
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Página 36
... play upon words which formed the basis of his ballad against Sir Thomas Lucy , have quite the ap- pearance of a tender recollection ; and assuredly , few his- torical anecdotes can produce in favor of their authentici- ty such ...
... play upon words which formed the basis of his ballad against Sir Thomas Lucy , have quite the ap- pearance of a tender recollection ; and assuredly , few his- torical anecdotes can produce in favor of their authentici- ty such ...
Página 50
... play can possibly correspond to the efforts of imag- ination and labor which it has cost . England , like France , Italy , and Spain , was indebted for her first theatrical per- formances to the festivals of the clergy ; only they were ...
... play can possibly correspond to the efforts of imag- ination and labor which it has cost . England , like France , Italy , and Spain , was indebted for her first theatrical per- formances to the festivals of the clergy ; only they were ...
Página 55
... Porrex , " which critics have considered as the dramatic glory of the time preceding Shakspeare . This was , in fact , the first play which was properly divided into acts and scenes , and written through- SHAKSPEARE AND HIS TIMES . 55.
... Porrex , " which critics have considered as the dramatic glory of the time preceding Shakspeare . This was , in fact , the first play which was properly divided into acts and scenes , and written through- SHAKSPEARE AND HIS TIMES . 55.
Página 67
... play is a bad one ; it is destitute of reality and art , and is entirely alien to Shakspeare's system : it is interesting only as marking the point from which he started ; and it seems to belong to his works as a last monument of that ...
... play is a bad one ; it is destitute of reality and art , and is entirely alien to Shakspeare's system : it is interesting only as marking the point from which he started ; and it seems to belong to his works as a last monument of that ...
Página 68
... play and between the acts , but even during the course of an act , whenever it is found convenient to abridge by narrative some less interesting part of the ac- tion , in order to apprise the spectator of a change of place or a lapse of ...
... play and between the acts , but even during the course of an act , whenever it is found convenient to abridge by narrative some less interesting part of the ac- tion , in order to apprise the spectator of a change of place or a lapse of ...
Outras edições - Ver tudo
SHAKSPEARE & HIS TIMES Francois 1787-1874 Guizot,Achille-Leon-Victor Duc De Broglie, 1. Pré-visualização indisponível - 2016 |
Palavras e frases frequentes
action actors admiration afterward amusement appear Banquo beauties become Ben Jonson brilliant Brutus Cæsar character chronicle circumstances comedy comic composed court crime death Desdemona desire destiny dramatic poetry Duke Duke of Austria effect Elizabeth emotions England entirely equally existence fact Falstaff father favor feelings festivities forms genius give habits Hamlet hand Henry Henry IV historical dramas Holinshed honor human Iago idea imagination impression inspired interest Julius Cæsar king King Lear Lear less liberty Lord Macbeth manner ment mind minstrels misfortune Molière Moor moral nature necessity never once original Othello passion peare peare's perhaps personages piece play pleasures poet poetic popular position possess present prince reason regard reign rendered Richard Richard III Romeo and Juliet says scene Shaks Shakspeare Shakspeare's sion soul spectator stage Stratford style success taste theatre thing thought tion tragedy tragic true truth unity Voltaire wife young
Passagens conhecidas
Página 283 - Speak of me as I am ; nothing extenuate, Nor set down aught in malice: then must you speak Of one that...
Página 274 - O, that the slave had forty thousand lives ! One is too poor, too weak for my revenge. Now do I see 'tis true. Look here, lago ; All my fond love thus do I blow to heaven : 'Tis gone. Arise, black vengeance, from thy hollow cell ! Yield up, O love, thy crown and hearted throne To tyrannous hate ! Swell, bosom, with thy fraught, For 'tis of aspics
Página 283 - No more of that ; — I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am ; nothing extenuate, Nor set down aught in malice...
Página 100 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.
Página 38 - Twas Christmas told the merriest tale ; A Christmas gambol oft could cheer The poor man's heart through half the year.
Página 322 - The First part of the Contention betwixt the two famous Houses of Yorke and Lancaster...
Página 40 - Come, my Corinna, come; and, coming, mark How each field turns a street, each street a park Made green and trimm'd with trees: see how Devotion gives each house a bough Or branch: each porch, each door, ere this An ark, a tabernacle is, Made up of white-thorn neatly interwove; As if here were those cooler shades of love.
Página 109 - Good friend, for Jesus' sake forbear To dig the dust enclosed here. Blessed be the man that spares these stones And cursed be he that moves my bones.
Página 40 - CORINNA'S GOING A-MAYING Get up, get up for shame! The blooming morn Upon her wings presents the god unshorn. See how Aurora throws her fair, Fresh-quilted colors through the air. Get up, sweet slug-a-bed, and see The dew bespangling herb and tree!
Página 163 - O my love! my wife! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty. Thou art not conquer'd; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.