Casanova in LondonStein and Day, 1971 - 198 páginas "In the New Statesman, TLS, the Spectator, the New York Times and Harper's Bazaar among others, these short pieces appeared in other forms as book reviews, an introduction, etc. but all of them display Mr. Quennell's immanent virtues -- the well-informed insights so pleasantly styled. There are twenty-five figures, chiefly old with the exception of [Robert] Graves and [Evelyn] Waugh, and from both sides of the Channel. The title essay deals with the indignities Casanova suffered in London in 1763 in the hands and even in the bed of a malicious demi-mondame. There's Victor Hugo and George Sand in the setting sun of old age; [André] Gide, married to a woman who aroused devotion but could not awake desire while [James] Boswell, the dissolute, was anything but faithful; [Daniel] Defoe's transformation of Alexander Selkirk's story; Waugh, the 'greatest novelist' of this generation; that lovable old La Rochefoucauld; and the 'magician of pleasure,' [Guillaume] Apollinaire. One or two unknowns, generally speaking, Anthony Hamilton and [Henry] Mayhew and perhaps the Goncourts whose pursuit of l'art pour l'art is like Quennell's, a rebuke to our own 'slovenly and hall-hearted age.' Even in this minimal form, the essays represent a perfectly proportioned judgment and taste."--Kirkus Reviews. |
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Página 53
... experience ' , and that ' there is an unknown land full of strange flowers and subtle perfumes a land where all ... experienced pederast , thoroughly conversant with all the ways of the homosexual underworld . The older man could never ...
... experience ' , and that ' there is an unknown land full of strange flowers and subtle perfumes a land where all ... experienced pederast , thoroughly conversant with all the ways of the homosexual underworld . The older man could never ...
Página 87
... experience that fires the brain may be slight and vague and passing . But such an experience there must be , if the materials supplied by the artist's consciousness are to achieve concrete aesthetic form in novel , play or poem . When ...
... experience that fires the brain may be slight and vague and passing . But such an experience there must be , if the materials supplied by the artist's consciousness are to achieve concrete aesthetic form in novel , play or poem . When ...
Página 132
... experience of exile ; and , as a middle - aged man , he found it particularly irksome . The court at Saint - Germain was dull and overcrowded ; Louis XIV took offence at the pride and haughtiness of the arrogant Hamilton clan ; the ...
... experience of exile ; and , as a middle - aged man , he found it particularly irksome . The court at Saint - Germain was dull and overcrowded ; Louis XIV took offence at the pride and haughtiness of the arrogant Hamilton clan ; the ...
Índice
Acknowledgments | 1 |
The Goncourts | 25 |
Ego Hugo 4555 | 45 |
Direitos de autor | |
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admirable appeared artist beauty become believed Boswell called century character Charlotte continued critic death described devoted early effect Emily England English existence experience eyes face fact Fair Falstaff feeling felt followed French friends genius George gift girl Graves hand head heart helped hope human imagination interesting Jane John kind later learned least leave less literary lived London looked marriage married master mind natural never notes novelist novels observed once original passion perhaps period play poems poet presently Prince produced published remained remarkable respect romantic secret seems sense sometimes soon story strange street suffered Thackeray thought tion true turn Vanity whole wife Wilde woman women writing wrote young youth