Shakespeare's Comic Control in Measure for Measure: Sub-plot as Key to Dramatic DesignStanford University, 1964 - 368 páginas |
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Página 41
... throw away that thought . Believe not that the dribbling dart of love Can pierce a complete bosom . With these lines to Friar Thomas , the Duke opens the short third scene of Measure for Measure . In this brief fifty - four line ...
... throw away that thought . Believe not that the dribbling dart of love Can pierce a complete bosom . With these lines to Friar Thomas , the Duke opens the short third scene of Measure for Measure . In this brief fifty - four line ...
Página 47
... dribbling dart of love Can pierce a complete bosom . Apparently he takes it for granted that he possesses a " complete bosom . " Vincentio , in his next speeches , shows a mixture of motives for his pretended relinquishing of power and ...
... dribbling dart of love Can pierce a complete bosom . Apparently he takes it for granted that he possesses a " complete bosom . " Vincentio , in his next speeches , shows a mixture of motives for his pretended relinquishing of power and ...
Página 110
... dribbling dart of love " speech to a formal marriage proposal is clearly " a better woodman " than the Friar recognizes . Once again we see the comic if confusing manner in which Lucio repeatedly scores the failures of the man who has ...
... dribbling dart of love " speech to a formal marriage proposal is clearly " a better woodman " than the Friar recognizes . Once again we see the comic if confusing manner in which Lucio repeatedly scores the failures of the man who has ...
Palavras e frases frequentes
Abhorson absent Duke accusations Andrugio answer argument audience Barnadine bawd becomes bed-trick broad comedy brother chapter chastity clearly climax comic characters comic perspective condemned context contrast criticism death debate scenes declares deputy descending action device dilemma disguised Duke dominant comic dramatic dribbling dart Duke's earlier early acts Elbow Elizabethan enforcement Escalus ethical execution F.R. Leavis final act Friar Friar-Duke heroine ideal immediate important intensity Isabella and Angelo Jacobean Juliet lines London Lord Angelo Madeleine Doran main plot manipulation Mariana Measure for Measure melodrama mercy and justice mid-play Mistress Overdone monstrous proposal mood moral need for mercy opening scene pardon play's pretense principle prison Problem Comedies Problem Plays Promos and Cassandra provides Provost recognize repentance response rhetorical role ruler scene of Act seems sexual Shakespeare Survey shift situation spectator spectator's speech statement story sub-plot suggests suspense theme thou tion tragicomedy Vienna Vincentio virtue W.K. Wimsatt Whetstone Whetstone's York