The Cambridge Companion to Shakespearean ComedyAlexander Leggatt Cambridge University Press, 20/12/2001 - 256 páginas First published in 2001, this is an accessible, wide-ranging and informed introduction to Shakespeare's comedies and romances. Rather than taking each play in isolation, the chapters trace recurring issues, suggesting both the continuity and the variety of Shakespeare's practice and the creative use he made of the conventions he inherited. The first section puts Shakespeare in the context of classical and Renaissance comedy and comic theory, the work of his Elizabethan predecessors and the traditions of popular festivity. The second section traces a number of themes through Shakespeare's early and middle comedies, dark comedies and late romances, establishing the key features of his comedy as a whole and illuminating particular plays by close analysis. Individual chapters draw on contemporary politics, rhetoric, and the history of Shakespeare production. Written by experts in the relevant fields, the chapters frequently challenge long-standing critical assumptions. |
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... : Shakespearean comedy 6 Forms of confusion JOHN CREASER 7 Love andcourtship CATHERINE BATES 8 Laughing at “others” EDWARD BERRY 9 Comedy and sex ALEXANDER LEGGATT 10 Language and comedy LYNNE MAGNUSSON 11 Sexual disguiseand the.
... : Shakespearean comedy 6 Forms of confusion JOHN CREASER 7 Love andcourtship CATHERINE BATES 8 Laughing at “others” EDWARD BERRY 9 Comedy and sex ALEXANDER LEGGATT 10 Language and comedy LYNNE MAGNUSSON 11 Sexual disguiseand the.
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Alexander Leggatt. 10 Language and comedy LYNNE MAGNUSSON 11 Sexual disguiseand the theatreof gender BARBARA HODGDON 12 Matters of state ANTHONY MILLER 13 The experimentof romance MICHAEL O'CONNELL Select bibliography Index NOTES ON ...
Alexander Leggatt. 10 Language and comedy LYNNE MAGNUSSON 11 Sexual disguiseand the theatreof gender BARBARA HODGDON 12 Matters of state ANTHONY MILLER 13 The experimentof romance MICHAEL O'CONNELL Select bibliography Index NOTES ON ...
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... Language and Literature (1992) and Play in a Godless World: the Theory and PracticeofPlay in Shakespeare, Nietzsche and Freud (1999). She has edited thepoems of SirPhilip Sidney and written numerous articles onRenaissance literature ...
... Language and Literature (1992) and Play in a Godless World: the Theory and PracticeofPlay in Shakespeare, Nietzsche and Freud (1999). She has edited thepoems of SirPhilip Sidney and written numerous articles onRenaissance literature ...
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... Language and Stage inMedievaland Renaissance England (1998) and Theatre, Court andCity, 1595– 1610 (2000). She is currentlyworking onan edition of spectacles in the reign of Henry VIII in Hall's Chronicle. DAVID GALBRAITH is Associate ...
... Language and Stage inMedievaland Renaissance England (1998) and Theatre, Court andCity, 1595– 1610 (2000). She is currentlyworking onan edition of spectacles in the reign of Henry VIII in Hall's Chronicle. DAVID GALBRAITH is Associate ...
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... language, earlymodern women's writing, the genre of the letter, and discourse analysis.She isthe authorof Shakespeareand Social Dialogue: Dramatic Languageand Elizabethan Letters (1999) and a coeditor of Reading Shakespeare's Dramatic ...
... language, earlymodern women's writing, the genre of the letter, and discourse analysis.She isthe authorof Shakespeareand Social Dialogue: Dramatic Languageand Elizabethan Letters (1999) and a coeditor of Reading Shakespeare's Dramatic ...
Índice
Roman comedy | |
Italian stories on the stage | |
Elizabethan comedy | |
Forms of confusion | |
JOHN CREASER 7 Love andcourtship | |
Laughing at others | |
Comedy and | |
Language and comedy | |
Matters of state | |
ANTHONY MILLER 13 The experimentof romance | |
Select bibliography | |
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