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The Portico: A Repository of Science and Literature, Volume 5;Volume 1818
Visualização integral - 1818
admiration admit advance American appears attempt attention beauty become believe body Byron called Captain cause character command common considered continued course criticism effect enemy equal equation excellence existence expression fancy fear feel fire force genius give given hand happiness heart honour hope human imagination interest judgment knowledge language learned less letter light live manner means mind moral nature never night object observations once opinion original passion perhaps person pleasure poem poet poetry possession present principles produced prove publick question reader reason received reflection remarks respect seems seen society sometimes soon soul sound spirit taste thee thing thou thought tion true truth whole writer young
Página 481 - And it came to pass, as they still went on and talked, that, behold, there appeared a chariot of fire, and horses of fire, and parted them both asunder; and Elijah went up by a whirlwind into heaven.
Página 390 - For this we may thank Pope ; but unless we could imitate him in the closeness and compactness of his expression, as well as in the smoothness of his numbers, we had better drop the imitation, which serves no other purpose than to emasculate and weaken all we write. Give me a manly rough line, with a deal of meaning in it, rather than a whole poem full of musical periods, that have nothing but their oily smoothness to recommend them...
Página 104 - Of the laborious and mercantile part of the people, the diction is in a great measure casual and mutable; many of their terms are formed for some temporary or local convenience and though current at certain times and places are in others utterly unknown. This fugitive cant, which is always in a state of increase or decay, cannot be regarded as any part of the durable materials of a language and therefore must be suffered to perish with other things unworthy of preservation.
Página 276 - Poetry, indeed, cannot be translated; and, therefore, it is the poets that preserve languages; for we would not be at the trouble to learn a language, if we could have all that is written in it just as well in a translation. But as the beauties of poetry cannot be preserved in any language except that in which it was originally written, we learn the language.
Página 180 - Tis the last remnant of the wreck of years, And looks as with the wild.bewilder'd gaze Of one to stone converted by amaze, Yet still with consciousness ; and there it stands Making a marvel that it not decays, When the coeval pride of human hands, Levell'd Aventicum, hath strew'd her subject lands.
Página 17 - Idalia's velvet-green has something of cant. An epithet or metaphor drawn from Nature ennobles Art ; an epithet or metaphor drawn from Art degrades Nature.
Página 477 - Relentless walls ! whose darksome round contains Repentant sighs, and voluntary pains : Ye rugged rocks, which holy knees have worn ; Ye grots and caverns shagg'd with horrid thorn ! Shrines ! where their vigils pale-ey'd virgins keep, And pitying saints, whose statues learn to weep ! Though cold like you, unmov'd and silent grown, I have not yet forgot myself to stone.
Página 182 - Far along, From peak to peak, the rattling crags among Leaps the live thunder! Not from one lone cloud, But every mountain now hath found a tongue, And Jura answers, through her misty shroud, Back to the joyous Alps, who call to her aloud!
Página 232 - O ! would the Sons of Men once think their Eyes And Reason giv'n them but to study Flies! See Nature in some partial narrow shape, And let the Author of the Whole escape : Learn but to trifle; or, who most observe, To wonder at their Maker, not to serve!